Subscriber content

Four sketches by Joseph Blanc donated to Rennes by his society of friends

All the versions of this article: English , français

6/2/24 - Acquisition - Rennes, Musée des Beaux-Arts - Yesterday, the Société des amis du Musée des Beaux-Arts de Rennes (Friends of the Musée des Beaux-Arts de Rennes) made a particularly relevant acquisition at Rennes Enchères, for the reasonable sum of €2,100 excluding fees. It was on February 5, 1994, exactly thirty years before this sale, that the fire at the Parlement de Nantes took place. Four small sketches by Joseph Blanc, preparatory to the tapestries that decorated the building, were acquired as a gift to the museum.


1. Joseph Blanc (1846-1904)
Morality, History, Philosophy, Eloquence, 1900
Oil on canvas - 41 x 33 cm each
Rennes, Musée des Beaux-Arts
Photo: Rennes Enchères
See the image in its page

Having escaped the disaster, the tapestries were sent to two different workshops for restoration. As we mentioned in our article on the Rennes exhibition devoted to the hangings of the Parliament of Rennes, fate nonetheless struck: one of them was ravaged in turn by flames, wiping out some of the surviving tapestries.
Blanc’s four sketches, grouped in the same frame (ill. 1), represent Morality, History (ill. 2), Philosophy and Eloquence. Of the four definitive works they prepare, one burned, Morality, while the other three are still preserved (ill. 3) - they were in the other workshop - but now transferred, like all the surviving tapestries, to the Mobilier national.


2. Joseph Blanc (1846-1904)
History, 1900
Oil on canvas - 41 x 33 cm
Rennes, Musée des Beaux-Arts
Photo: Rennes Enchères
See the image in its page
3. Manufacture des Gobelins,
after Jean-Marie Laloy (1851-1927),
Joseph Blanc (1846-1904) and
Eugène Bidau (1839-1899)
History
Wool and silk - 310 x 284 cm
Paris, Mobilier national
Photo : Didier Rykner
See the image in its page

Joseph Blanc has been very well studied by Pierre Sérié, who devoted an excellent monograph to him in 2008, published by the École du Louvre, and who writes…

To access this content, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page. If you would like to test the subscription, you can subscribe for one month (at €8) and if you don’t like it, you can send us an e-mail asking us to unsubscribe you (at least ten days before the next direct debit).

If you are already a subscriber, sign in using this form.

Your comments

In order to be able to discuss articles and read the contributions of other subscribers, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page.

If you are already a subscriber, sign in.