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An album of drawings given to the Rijksmuseum brings Rombout Uylenburgh out of the shadows

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1. The Van Eeghen Album
Amsterdam, Rijksmuseum
Photo: Rijksmuseum

20/8/26 - Acquisition - Amsterdam, Rijksmuseum - The recent donation to the Rijksmuseum of a seventeenth-century album of drawings by the Van Eeghen family (ill. 1), originally from Amsterdam, which had been in their possession for more than three centuries, provides an opportunity to discuss an artist so little known that he does not even have a Wikipedia page, not even in Dutch. We also discovered on this occasion that the Rembrandt House Museum has acquired two paintings by his hand in recent years, acquisitions that we had not previously mentioned, an omission which we can therefore rectify today.


2. Workshop of Rombout Uylenburgh
(ca. 1580/86–1627/28)
Conversion of Saint Paul
Pen, brown ink, blue wash,
heightened with white - 27.8 x 42.5 cm
Van Eeghen Album
Amsterdam, Rijksmuseum
Photo: RKD
3. Workshop of Rombout Uylenburgh
(ca. 1580/86–1627/28)
Beheading of Saint John the Baptist
Pen, brown ink, brown and grey wash, heightened with white - 27.8 x 42.5 cm
Van Eeghen Album
Amsterdam, Rijksmuseum
Photo: RKD

The RKD Studies website had published online a very thorough article by Erik P. Löffler about this album, when it was still in the donors’ possession.
It reveals that, of the 27 drawings, sixteen [1] (ill. 2 to 17) can be attributed, with some reservations, to Rombout Uylenburgh with the assistance of his workshop — some being by other artists. We shall return later to these other sheets and shall first examine those on which the Rijksmuseum has focused its publicity.


4. Workshop of Rombout Uylenburgh
(ca. 1580/86–1627/28)
The Visitation
Pen, brown ink, blue wash,
heightened with white - 27.8 x 42.5 cm
Amsterdam, Rijksmuseum
Van Eeghen Album
Photo: RKD
5.…

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