Editorial
Crossing borders
Articles
Stephen Lloyd, Simon Jervis, A second Paston prospective rediscovered
Mark Bills, From Dolly to Dorrit: William Powell Frith’s scenes from Dickens
Samuel Shaw, The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
Sally Beazley-Long, Laura Knight on display: book jackets and self-promotion in the 1920s
Dillian Gordon, Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
Malcolm Baker, Jonathan Marsden, Socles and settings: Roubiliac’s busts of George II and Viscount Ligonier
Sarah Medlam, A design for the mystery of Freemasonry
Susan J. Rawles, The sitter in Copley’s ‘Portrait of a lady’ in the Wadsworth Atheneum identified
Exhibitions
James Cahill, Tracey Emin / Edvard Munch: The Loneliness of the Soul
Elena Shapira, Women Artists of the Wiener Werkstätte
Lucy Wasensteiner, Under the Open Sky: Travelling with Wassily Kandinsky and Gabriele Münter
Silvia Loreti, Savinio: Enchantment and Myth
Barry Schwabsky, Alice Neel: People Come First
Isabel Parkes, Isa Genzken: Works from 1973 to 1983
Books
Dawn Ades, Out of the Cage: The Art of Isabel Rawsthorne
Lucy Donkin, The Cosmatesque Mosaics of Westminster Abbey. The Pavements and Royal Tombs: History, Archaeology, Architecture and Conservation
Lisa Monnas, Der Schatz der Marienkirche zu Danzig: Liturgische Gewänder und textile Objekte aus dem späten Mittelalter (Berner Forschungen zur Geschichte der textilen Künste, 1)
Elizabeth Goldring, Elizabethan Globalism: England, China and the Rainbow Portrait
Sculpture Journal, Volume 29, Issue 3
Emily M. Weeks, British Art and the East India Company
Rufus Bird, The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–1865
Michael Hall, The Museum Building of Trinity College Dublin: A Model of Victorian Craftsmanship
Timothy Wilcox, Thomas Hennell: The Land and the Mind
Ellen Mc Breen, The ‘Black Art’ Renaissance: African Sculpture and Modernism across Continents
Elizabeth A. Darling, Iteration: Episodes in the Mediation of Art and Architecture
Elena Crippa, Dorothy Morland: Making ICA History