Didier Rykner

Articles

  • Federico Barocci Urbino. L’emozione della pittura moderna

    The Barocci retrospective currently taking place in Urbino, the artist’s birthplace where he spent most of his career, is curiously the first to be held there, but not the first to be devoted to him.…

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  • Many works by Jean Dupas for Bordeaux

    Art Deco, too often the victim of vandalism (see the articles) and which no French national museum is interested in, the Musée National d’Art Moderne having always shied away from it, can at least…

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  • The ‘ephemeral’ Grand Palais must go

    Never, of course, should the Ministry of Culture or Paris City Council have agreed to the installation of the ‘ephemeral’ Grand Palais in front of the École Militaire, a building by Gabriel, one of…

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  • A Champaigne for Carnavalet

    In 2022, the Musée Carnavalet acquired, from the dealer Ivan Rinaldi, an important painted sketch by Philippe de Champaigne in preparation for the tapestry representing The Birth of the Virgin…

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  • The crown of light, a new scandal at Notre-Dame de Paris

    An article published three days ago in La Tribune, written by Philippe D’Indevillers, tells us that the chief architect of historic monuments, Philippe Villeneuve, regrets that ‘the archbishop of…

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  • A painting by Antoine Callet acquired by The Huntington

    In 1778, the painter Antoine Callet was commissioned to paint a portrait of the French king Louis XVI for the Hôtel de la Guerre in Versailles. As Marie-Catherine Sahut writes, this commission gave…

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  • La Barben and the Champ-de-Mars, same battles

    One is in the countryside, in Provence, the other in Paris. But the threats facing the area around the Château de La Barben and the Champ-de-Mars, both of which are in the vicinity of historic…

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  • Jean Daret. Painter to the King in Provence

    More than forty years ago, in 1978, the Musée des Beaux-Arts de Marseille organised an exhibition devoted to 17th-century painting in Provence. Three artists stood out from the crowd: Reynaud…

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