Contents
Marilyn Aronberg Lavin, Giotto - Piero della Francesca - Cavallini: Conceptual Connections
Philippe Junod, De l’éternité au temps. Note sur les Annonciations au sablier
Frank Zöllner, Leonardo da Vinci’s Salvator Mundi, its Pictorial Tradition and its Context as a Devotional Image
Mauro Lucco, Two New Panels by Giovanni Bellini and the Discovery of a Hitherto Unknown Polyptych
Beverly Louise Brown, Who Let the Dogs Out: Jacopo Bassano, Naturalism and Prints
Stefania Mason, Al fonte battesimale: Palma il Giovane, tra affetti di famiglia e mestiere del pittore
Catherine R. Puglisi, ‘Bisognare pensarvi un’anno intero’: Guido Reni’s Second Manner and ‘Bianchezza’
Alexander Kusztyk, Nicolas Poussin’s Hunt of Meleager and Atalanta and the Spanish Court of King Philip IV
Andrzej Rottermund, An Artist’s Prestige: Bernardo Bellotto Between Dresden and Warsaw
William L. Barcham, The Issue of Copies: Three Drawings by Giannantonio Guardi in New York
David Ekserdjian, What’s in a Name? Emulation and the Hazards of Attribution
Deborah Howard, Architectural Encounters: Ottoman-Inspired Typologies in Europe as Liminal Social Space
Arthur K. Wheelock, In Pursuit of Masterpieces: The National Gallery of Art’s Acquisitions from The Prince of Liechtenstein
Liana De Girolami Cheney, Edward Burne-Jones’s The Legend of the Briar Rose: A poema d’arte about Mysterious Dormancy
Tadeusz J. Zuchowski, Caspar David Friedrichs Bilder mit den so genannten Chasseurs