Editorial
Going, going, gone
Articles
Jessica barker, Emily Pegues, Graeme McArthur, ‘Fully armed in plate of war’ : making the effigy of the Black Prince
Jeremy Warren, Giambologna’s ‘Andromeda’ : a new model ?
Molly-Claire Gillett, Chiloé’s ‘St Michael’ : reconsidering sources for the Hispano-Chilote school of sculpture
Pierre-Hippolyte Pénet, A competition for the funerary monument of Queen Catherine Opalinska
Malcolm Baker, Henry Cheere’s statue of Christopher Codrington : conventions and setting
Paul Holberton, Giorgione’s ‘Tempest’ : a riddle without a cause
Exhibitions
Natalie Rudd, Barbara Hepworth : Art & Life
Peter Kidd, Fragmented Illuminations : Medieval and Renaissance Manuscript Cuttings at the V&A
Robert J. Vogt, Terrible Beauty : Elephant – Human – Ivory
Adriano Aymonino, Raphael and the Domus Aurea : The Invention of Grotesque Ornament
John K Grande, Riopelle : The Call of Northern Landscapes and Indigenous Cultures
Luuk Pijl, Jacobus Vrel : Searching for Clues to an Enigmatic Artist
Charles Avery, Rembrandt’s Elephant : Following in Hansken’s Footsteps
Louis Deltour, Modernités suisses
Florian Knothe, Artifices instables : Histoires de céramics
Philip Rylands, La regione delle Madri : I paesaggi di Osvaldo Licini
Books
Alexander Heinemann, A Catalogue of the Sculpture Collection at Wilton House
Ivan Drpic, The Wyvern Collection : Byzantine and Sasanian Silver, Enamels and Works of Art
Sandy Heslop, Agata Gomolka, Pygmalion’s Power : Romanesque Sculpture, the Senses, and Religious Experience
Paul Williamson, La sculpture gothique 1140–1430
David Ekserdjian, Studi sulla pittura toscana del Rinascimento / Studies in Tuscan Renaissance Painting
Guillaume Faroult, Fragonard : Painting Out of Time
Jane Fejfer, From Memory to Marble : The Historical Frieze of the Voortrekker Monument. Volume I : The Frieze. Volume II : The Scenes
Bernardo Laniado-Romero, Rethinking Guernica
Susannah Thompson, The Story of Scottish Art
Obituary
Ernst van de Wetering (1938–2021)