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MARCELLIN BABEY, Constantin le Grand à Tournus. Etude iconographique de la galilée de l’abbatiale Saint-Philibert
DIANA BULLEN PRESCIUTTI, ‘A Most Beautiful Brawl’: Beholding Splendor and Carnage in Renaissance Italy
BEVERLY LOUISE BROWN, Seeing Red: Was Titian Too Young to Know Better?
GIORGIO TAGLIAFERRO, A New Agony in the Garden by Titian and His Collaborators, and the Problem of Originality in Late Titian
COSTANZA BARBIERI, Tam foelix pictor vate, ut pictore Poeta: The Iconography of Sebastiano del Piombo’s Lunettes in the Loggia della Galatea
ENRICO MARIA DAL POZZOLO, Per la storia delle falsificazioni di El Greco: un abbozzo di categorizzazione, con qualche esempio
GRAŻYNA JURKOWLANIEC, A Miracle of Art and Therefore a Miraculous Image. A Neglected Aspect of the Reception of Michelangelo’s Vatican Pietà
ERIC DENKER and WILLIAM E. WALLACE, Michelangelo and Seats of Power
DORIGEN CALDWELL, Grace and Favour: Pius V and Sepulchral Architecture in Counter-Reformation Rome
PETER HUMFREY et ALLISON SHERMAN, The Lost Church of San Niccolò ai Frari (San Nicoletto) in Venice and its Painted Decoration
TARO KIMURA, Analisi iconografica del San Giovanni Battista nel deserto del Caravaggio della Galleria Borghese di Roma
CLAIRE PACE, ‘Paise antique’: Claude Lorrain and Seventeenth-century Responses to Antique Landscape Painting
NICHOLAS TURNER, The First and Second Versions of Guercino’s Semiramis Receiving a Messenger (1645) and Related Studio Copies