Editorial
Old versus new in the Berlin museums
Articles
Elizabeth Clegg, War and peace at the Stockholm ‘Austrian Art Exhibition’ of 1917
John Rolfe, Harold Gilman’s ‘Halifax Harbour’ (1918): a wartime Canadian episode
Anne Blood, The Russian section of the ‘Machine-Age Exposition’ (1927)
Fanny Singer, Richard Hamilton’s ‘Chiara & chair’
Colin B. Bailey, ‘In the same order, but . . . stronger than ever’: the new Barnes Foundation in Philadelphia
Book Review
David Ekserdjian, Museo Statale Ermitage – La pittura italiana dal XIII al XVI secolo: Catalogo della Collezione
Susan Loppert, The Healing Presence of Art – A History of Western Art in Hospitals
Giles Waterfield, Ireland on Show: Art, Union, and Nationhood
Mark Stocker, Public Sculpture of Historic Westminster: Volume 1
Julian Treuherz, Joanna, George and Henry
Peter Cooke, Aesthetic Rivalries: Word and Image in France, 1880–1926
Colin Amery, The Looshaus
Michael Bracewell, The Collected Writings of Jon Thompson
Peter Boughton, The Buildings of England: Cheshire
Toby Treves, Prunella Clough. Regions unmapped
Karen Lang, A House Divided: American Art since 1955
Exhibition Review
Satish Padiyar, Portrait sculpture. Bath
Rachel Sloan, Symbolist Landscape. Amsterdam, Edinburgh and Helsinki
Neville Rowley, Cima da Conegliano. Paris
Eddy Schavemaker, Cornelis Bega. Aachen and Berlin
Charles Robertson, Bramantino. Milan
Julian Brooks, Andrea Commodi. Florence
Frank Dabell, Luca Signorelli. Perugia, Orvieto and Città di Castello
Xanthe Brooke, Murillo and Justino de Neve. Madrid, Seville and London
Lynne Cooke, Schiaparelli and Prada. New York
Robert Silberman, Roy Lichtenstein. Chicago, Washington, London and Paris
John Wilson, Charles M. Russell. Fort Worth and Great Falls
Letters
Xavier F. Salomon, Veronese’s skies in S. Sebastiano
Mark Evans, Veronese’s portrait of Sidney
Supplement
Recent acquisitions by the Government Art Collection
Calendar
Notes on Contributors