The Burlington Magazine - Numéro 1341 - Décembre 2014

Editorial

Stonehenge revisited

Articles

The Este and the East : unpublished Chinese and Mughal objects from the Wunderkammer in Modena, by Francesco Morena

The Linck Hours : a forgotten Paris Book of Hours by the workshop of the Bedford Master, by Karl-Georg Pfändtner

A new document concerning Artemisia Gentileschi’s ­marriage, by Sheila Barker

The marriage contract of Bernardo Cavallino, by Francesco Lofano

The beginnings of the Real Academia de España in Rome : Felipe de Castro and other eighteenth-century pioneers, by Pilar Dies del Corral

William Dyce’s ‘Lamentation over the dead Christ’ — a new discovery, by Carly Collier

Livres

Sicily. Art and Invention between Greece and Rome, C.L. Lyons, M. Bennett and C. Marconi, eds., with A. Sofroniew, by Julian Treuherz

Giotto and the Flood of Florence in 1333. A Study in ­Catastrophism, Guild Organisation and Art Technology, E.S. Skaug, by Victor M. Schmidt

Giovanni Bellini. La nascita della pittura devozionale ­umanistica, Gli studi, E. Daffra, ed., by William L. Barcham

Piero della Francesca : Artist and Man, J.R. Banker, by Caroline Campbell

À la mode italienne. Commerce du luxe et diplomatie dans les Pays-Bas méridionaux, 1477–1530, F. Veratelli, by Paula Nuttall

The Shahnama of Shah Tahmasp : The Persian Book of Kings, S.R. Canby, by Robert Erskine

Grazia e tenerezza ‘in posa’. Bernardo Cavallino e il suo tempo, 1616–1656, N. Spinosa, by Stéphane Loire

The Sheldonian Theatre : Architecture and Learning in ­Seventeenth-Century Oxford, A. Geraghty, by Richard Hewlings

Warm Flesh, Cold Marble. Canova, Thorvaldsen and their Critics, D. Bindman, by Marjorie Trusted

Ludwig Meidner : Werkverzeichnis der Skizzenbücher/Catalogue Raisonné of his Sketchbooks, G. Presler and E. Riedel, eds., by Shulamith Behr

Matisse – Rouault Correspondance 1906–1953, presented and annotated by J. Munck, by Nicholas Watkins

The Myth of Nouveau Réalisme : Art and the Performative in Postwar France, K.M. Cabañas, by Fiontán Moran

Exhibitions

Late Turner, by Christopher Baker

Anselm Kiefer, by David Anfam

Richard Tuttle, by Martha Barratt

Autumn contemporary exhibitions, by Celia White

The photography of Edwin Smith, by Owen Hopkins

Horst, by Marina Vaizey

Artists’ mannequins, by James Ayres

Veronese in the Veneto, by Xavier F. Salomon

Rubens’s ‘Triumph of the Eucharist’, by Elizabeth Alice Honig,Helen Wyld

Spanish drawings from Hamburg, by Zahira Veliz

Unsettled landscapes, by Robert Silberman

Pieter Coecke van Aelst, by Elizabeth Alice Honig

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