Editorial
The life cycle of art history
Articles
Maichol Clemente, ‘Une pièce fort singulière’: the rediscovery of Gian Lorenzo Bernini’s ‘Andromeda and the sea monster’
Paula Nuttall, Michelangelo’s Bruges Madonna: its patron, material and meaning
Marco Scansani, Fragments of a Ferrarese sketch by Donatello
Amy Lim, The foundation of the Society of Female Artists
Sharon Hecker, Collecting modern Italian sculpture in Britain: Charles Meek and Medardo Rosso
Exhibitions
Griselda Pollock, Mary Cassatt at Work
Christine Gardner-Dseagu, Gli dei ritornano: I bronzi di San Casciano
David Franklin, Piero della Francesca: The Augustinian Polyptych Reunited
Jörg Zutter, Giovanni Stradano: Le più strane e belle invenzioni del mondo
Mark Evans, Raphael: Revolution in Tapestry Design
Elisabeth Oy-Marra, Guido Reni alla Galleria Borghese: Dopo la mostra gli studi
David Hopkins, Marcel Duchamp and the Lure of the Copy
Claudia Hopkins, Rosario de Velasco
Erin Griffey, Style & Society: Dressing the Georgians
William Barcham, Les Tiepolo : Invention et Virtuosité à Venise
Books
Philippa Glanville, Orfèvrerie de la Renaissance et des temps modernes: XVIe, XVIIe et XVIIIe siècles: La Collection du Musée du Louvre
Monica Centanni, Aby Warburg 150: Work, Legacy, Promise
G.A. Bremner, Edwin Rickards
Pierre Rosenberg, French Paintings 1500–1900: National Galleries of Scotland
Charles Avery, Die Bronzen des Massimiliano Soldani Benzi (1656–1740): Representationsstrategien des europäischen Adels um 1700
Gauvin Alexander Bailey, Collective Creativity and Artistic Agency in Colonial Latin America
Giulio Dalvit, Galleria Borghese. Catalogo generale I: Scultura moderna
Lorne Campbell, Jan Massys (c.1510–1573): Renaissance Painter of Flemish Female Beauty
Rachel Boyd, Late Gothic Sculpture in Northern Italy: Andrea da Giona and i Maestri Caronesi. An Addition to the Pantheon of Venetian Sculptors
Julian Luxford, How Do Images Work? Strategies of Visual Communication in Medieval Art