The Burlington Magazine - n°1463 vol CLXVII - February 2025

Bartolini and Scotland

Editorial

Cataloguing

Articles

Federica Gigante, An Islamic tent in S. Antonio in Polesine, Ferrara

Geoffrey Nuttall, Lucchese patronage in Papal Avignon: the chapel of Carlo Spiafame in Notre-Dame-des-Doms

Franziska Windt, Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great

Lucy Wood,Timothy Stevens, The elder sisters of the ‘The Campbell sisters’: William Gordon Cumming’s patronage of Lorenzo Bartolini

Stephanie C. Leone,Alessandro Serrani, ‘Victory at San Pietro inCasale’ in the Galleria Doria Pamphilj, Rome

Yuriko Jackall, Ménage de Pressigny and his art collection

Dyfri Williams, Lusieri’s mysterious ‘Wooded lake’ identified

Exhibitions

Marjorie Trusted, Luisa Roldán: Escultora real

Karin Hellwig, Hand in Hand: Sculpture and Colour in the Spanish Golden Age

Benjamin Couilleaux, Expérience Raphaël

Olenka Horbatsch, Dürer to Van Dyck: Drawings from Chatsworth House

Grant Lewis, Michelangelo, Leonardo, Raphael: Florence, c.1504

Marika Takanishi Knowles, Figures du fou: Du Moyen Âge aux Romantiques

Elizabeth C. Childs, Gauguin in the World

Iris Müller-Westermann, Hilma af Klint

Silvia Loreti, But Live Here? No Thanks: Surrealism and Anti-Fascism

Books

William Whyte, Oxfordshire: Oxford and the South-East (The Buildings of England)

Gerhard Lutz, Die Gertrudisgruppe aus dem Welfenschatz: Ein sakrales Selbstzeugnis der Brunonenwitwe Gertrud d. Ä. (d.1077)

Frederica C.E. Law-Turner, The Kennicott Bible: A Masterpiece of Jewish Book Art

Livia Lupi, La sagrestia di Michelangelo: Nuovi studi e restauro

Christopher Brown, The Medici Series (Corpus Rubenianum Ludwig Burchard, 14.1)

Elizabeth Savage, The Radical Print: Art and Politics in Late Eighteenth-Century Britain

Richard Thomson, Discover Degas and Miss La La

Alborz Dianat, Objects in Exile: Modern Art and Design across Borders, 1930–1960

Angelina Giovani-Agha, Nazi-Era Provenance of Museum Collections: A Research Guide

Ekin Erkan, Duchamp’s Telegram: From Beaux-Arts to Art-in-General

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