Artibus et Historiae - An art anthologie - n°93, 2026

Contents

Aleksandra Lipińska, Uliana Naumenko, Tanita Ciesielska, Marek Walczak, Wolfram Kloppmann, Imported or Local ? Refining the Geography of Late Medieval and Early Modern Alabaster Sculpture in Present-Day Poland and Ukraine with Isotopic Fingerprinting

Bernát Rácz, The Mosaic Decoration of San Marco, Rome : Saint Mark the Evangelist as the Embodiment of the Papal Perspective in the Second Iconoclastic Controversy (814–842)

Dennis Romano, The Saintly Cityscape : Urban Politics and Topography in Guariento’s Coronation of the Virgin Fresco

Dafna Nissim, Enhancing the Faculty of Memory : The Cognitive and Emotional Agency of the Portrait of Charles VI and his Secular Attendants in the Goldenes Rössl

Ilia M. Rodov, From Moses to Moses : Moses Isserles’s Elusive Likeness in the Context of Modern European Portraiture

Lorenzo Boffadossi, Un disegno raffaellesco di soggetto bacchico nella collezione dei duchi d’Este

Roberta J. M. Olson and Joseph M. Silva, An Early Cinquecento Florentine Portrait and Its Cover Reconsidered : New Documentary Evidence and a Biography of Caterina Antinori

James R. Jewitt, A Venetian Gentleman Fashioned in Black : Redressing Titian’s Early Portrait of a Man in Copenhagen

Anthony Apesos, More than Social Climbing : Art Theory and Allusions to Early Netherlandish Painting in Velázquez’s Las Meninas

Stephen Conrad, A Newly Discovered Early Painting by Nicolas Poussin : Medea Restoring Aeson’s Youth

Thomas Brown, The State, the Market and the Calendar : Depicting Events in Louis XIV’s France

Paul Joannides, Michelangelo’s Salting Hercules and its Siblings : Creation, Context and After-Life

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