Contents
Lisandra Estevez and Patricia Zalamea, Introduction
Deborah Howard, Sensory Impact and Ritual Purification : The Foundation Ceremonies of Saint Peter’s in Rome and the Votive Churches of the Redentore and Santa Maria della Salute in Venice
Kira Maye Albinsky, Confraternity and Convent : Archaism at the Crocifisso’s Capuchin Convent in Rome
Gianluca Poldi, Una diversa Vergine delle rocce. Underdrawing e osservazioni visive intorno alla pala di Denver di Bernardo Zenale
Julia Rose Katz, New Saint Peter’s as the Mother of Invention : Fantasy in Early Modern Architectural Drawing
Carel Van Tuyll van Serooskerken, Early Drawings by Francesco Albani, between Annibale and Agostino Carracci
David M. Stone, Guercino’s Preparatory Drawings : Creative Process, Narrative Experience, Pricing Paradox
Linda Borean, Felsina Serenissima. Riconsiderazioni su Guercino e il suo pubblico veneziano (pp. 127–136)
Erin Benay, A Cameo Appearance : Philip II’s Imperial Ambitions in Stone and Metal
Thomas Brown, The Cardinalilio in Alessandro Allori’s Rest on the Flight into Egypt
Roberto Contini, Verona contumace. Disegni di Bassetti e Fra Semplice a Berlino
Stefania Mason, Dalla Venezia incoronata all’Età del Ferro : nuovi disegni e dipinti di Palma il Giovane
Laura de Fuccia, Qualche riflessione su Giovan Battista Marino teorico dell’arte
Christina Lamb Chakalova, Physical Movement and Devotional Spectacle : The Translation of Regina Coeli
Krzysztof J. Czyżewski, Marek Walczak, Virtuosity and Emotions. On Wax as an Artist’s Medium on the Example of a Group of Early-Seventeenth-Century Wax Renditions of the Pietà by Willem Key
Sergiusz Michalski, An Unknown Painting in Copenhagen related to Frans Hals’s Early Children Group Portraits
Marilyn Aronberg Lavin, A Bernini Caricature of a Hunchback Dwarf