Contents
Horst Bredekamp, Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019)
Irving Lavin, The Silence of Bernini’s David
Rafal Quirini-Poplawski, Alcune note sull’origine adriatico-ungherese dello stile dei capitelli del monastero benedettino di Tyniec
Daniele Guernelli, Generazioni a confronto. Un Messale per San Michele in Bosco a Bologna miniato da Giovanni Battista e Scipione Cavalletto
Livio Pestilli, Revisiting Michelangelo’s Doni Tondo
Victoria S. Reed, Decapitation, Devotion, and Desire in Titian’s Salome
Marie-Louise Lillywhite, The Decoration of the Church of San Giacomo dall’Orio in Venice, 1567–1606 : Palma il Giovane, Giovanni Maria da Ponte and the Counter-Reformation
Aoife Brady, Durability and Disease : Guido Reni’s Paintings on Silk
Jesse Locker, ‘I’m Still Learning’ : The Painter’s Studio by the Master of the Annunciation to the Shepherds
Silvia Tita, The Spada Swords and the Barberini Bees Define the Borders of the Papal States : the Frescoes by Colonna and Mitelli in the Salone of the Palazzo Spada
Marcia Pointon, Peter Paul Rubens and the Mineral World
Alison M. Kettering, After Life : Rembrandt’s Slaughtered Ox
Steven F. Ostrow, Bernini, Baciccio, and the Dome Fresco in the Gesù : A Reconsideration
Larisa Nikiforova, Ekaterina Blokhina, Portrait with a Black Page in Eighteenth-Century Russian Art and the Cultural Transfer of Signs