MARILYN ARONBERG LAVIN, « Avant-Garde » in the Late Medieval Apse of Santa Maria in Trastevere
HANNEKE VAN ASPEREN, The Virgin and the Virtues. Charity in Ambrogio Lorenzetti’s Representation of Good Government
COLIN EISLER (with the assistance of CAROLINE KELLY), Fra Antonio Falier da Negroponte’s Madonna and the First Venetian Imperial Style
JÓZEF GRABSKI, The Madonna della Rovere: Raphael in the Workshop of Pietro Perugino
EMILY A. FENICHEL, Penance and Proselytizing in Michelangelo’s Portrait Medal
FRANCESCO SARACINO, Michelangelo e i diavoli del Purgatorio
PAUL JOANNIDES, An Attempt to Situate Titian’s Paintings of the Penitent Magdalen in Some Kind of Order
CARLO CORSATO, Dai Dal Ponte ai Bassano. L’eredità di Jacopo, le botteghe dei figli e l’identità artistica di Michele Pietra, 1578–1656
MARCO CARDINALI, MARIA BEATRICE DE RUGGIERI, GIORGIO LEONE, WOLFGANG PROHASKA, MATTHIAS ALFELD, KOEN JANSSENS , The Rediscovered Portrait of Prospero Farinacci by Caravaggio
TIFFANY A. RACCO, Darkness in a Positive Light: Negative Theology in Caravaggio’s Conversion of Saint Paul
ALBERTO COTTINO, Replicas, Quotations and Serial Production in Italian Baroque Still Lifes: A Few « Case Studies »
MERYL BAILEY, Punishment as Brotherly Love: Antonio Zanchi’s Expulsion of the Profaners from the Temple and the Venetian Conforteria
EWA KOCISZEWSKA, Woven Bloodlines: The Valois Tapestries in the Trousseau of Christine de Lorraine, Grand Duchess of Tuscany