Sommaire
CHARLES BURROUGHS, Indicating Heaven : Botticelli’s Coronation of the Virgin and Mediated Imagery
RICHARD STAPLEFORD, Botticelli and the Golden Section in the Lehman Annunciation
JOSEPH POLZER, Michelangelo’s Sistine Last Judgment and Buffalmacco’s Murals in the Campo Santo of Pisa
PAULA CARABELL, Figura Serpentinata: Becoming over Being in Michelangelo’s Unfinished Works
WILLIAM E. WALLACE, Michelangelo, Luigi del Riccio, and the Tomb of Cecchino Bracci
MARTHA DUNKELMAN, What Michelangelo Learned in Bologna
ACHIM TIMMERMANN, Locus calvariae: Walking and Hanging with Christ and the Good Thief, c. 1350 – c. 1700
CLAUDIA STEINHARDT-HIRSCH, Tra iconologia e teologia cassinese. La luce divina nella Notte del Correggio
EUGENE J. JOHNSON, The Theater at Lyon of 1548: A Reconstruction and Attribution
MARILYN ARONBERG LAVIN, Signed, Sealed, and Delivered: Federico Barocci’s Indulgenced Print of the Perdono
DAMIEN BRIL, A la croisée des genres. Louis XIV et le portrait équestre
SARAH LIPPERT, Salomé to Medusa by Way of Narcissus: Moreau and Typological Conflation
NAWOJKA CIEŚLIŃSKA-LOBKOWICZ, Das Spannungsfeld von Nationalgedächtnis und Politik: Restitution in Europa
ELIZABETH RICHARDS RIVENBARK, Corporeal Furnishings in the Sixties: Furniture as Art and Its Intimacy with the Body
PAN YAOCHANG,The Posters of the Mao Era: A Perspective of Art and Society
ZDZISŁAW ŻYGULSKI, JR, The Prophetic Shield of John III Sobieski and the Edict of Milan