Editorial
Home is where the art is
Articles
Patrizia Cavazzini, Nicolas Poussin, Cassiano dal Pozzo and the Roman art market in the 1620s
Gauvin Alexander Bailey and Fernando Guzmán, The Rococo altarpiece of St Ignatius: Chile’s grandest colonial retable rediscovered
Ross Finocchio, ‘Frick buys a freak’: Dagnan-Bouveret and the development of the Frick Collection
Alison Wright, A new book on Signorelli
David Pullins, Dating and attributing the earliest portrait of Benjamin Franklin
Mark Evans, Claire Richardson and Nicola Costaras, A recently discovered oil-sketch by John Constable at the Victoria and Albert Museum
Books
Michael Bury, I ‘Libri di Stampe’ dei Medici e le Stampe in Volume degli Uffizi, A. Baroni
Xavier F. Salomon, Modena barocca. Opere e artisti alla corte di Francesco I d’Este (1629–1658), S. Casciu, S. Cavicchioli and E. Fumagalli, eds.
Elizabeth Goldring, The Suffolk Collection: A Catalogue of Paintings, L. Houliston
Michael Rosenthal, J.M.W. Turner and the Subject of History, L. Costello by michael rosenthal
Peter Stupples, Art In Oceania: A New History, P. Brunt et al.
Gillian Darley, Designing Antiquity: Owen Jones, Ancient Egypt and the Crystal Palace, S. Moser
Sylvia Ferino-Pagden, La donazione di Enrichetta Hertz, 1913–2013, S. Ebert-Schifferer and A. Lo Bianco, eds.
Roísín Kennedy, Art in Ireland since 1910, F. Barber
Christina Lodder, K.S. Malevich: The Leporskaya Archive, T. Andersen
Exhibitions
Simon Watney, Iconoclasm
Marina Vaizey, Australia
Alex Kidd, Saving the Twentieth Century
Sarah Whitfield, Bacon/Moore: Flesh and Bone
Frances Parton, Medieval maces
Basile Baudez, Jacques-Germain Soufflot
Xavier F. Salomon, Ferdinando de’ Medici
Nathaniel Silver, The Prato workshops
Angela Delaforce, The patronage of King João V of Portugal
Jamie Mulherron, The worldwide textile trade
Anne Blood, Vasily Kandinsky
Robert B. Simon, Francesco Vanni
James Lawrence, Sam Francis
Calendar
Notes on Contributors