Subscriber content

New York auctions in early 2024

All the versions of this article: English , français

The sales in New York at the end of January/beginning of February are very rich this year. The number of works for sale at Sotheby’s and Christie’s is colossal, and while not all are of optimum quality, there are enough important paintings, sculptures and drawings to tempt collectors and museums.
We’ll begin this quick tour at Sotheby’s, where the collection of a well-known New York art historian and specialist in Elisabeth Vigée-Lebrun is presented under the title ’A Scholar Collects’, apparently in order to preserve its relative anonymity.


1. Élisabeth Louise Vigée Le Brun (1755-1842)
Self-Portrait In Traveling Costume, 1816
Pastel - 48 x 37.5 cm
Sale Sotheby’s New York, 31/1/24
Photo: Sotheby’s
See the image in its page
2. Élisabeth Louise Vigée Le Brun (1755-1842)
Sky study with a tree, possibly in the Meuse Valley, 1826
Pastel - 17 x 20.4 cm
Sale Sotheby’s New York, 31/1/24
Photo: Sotheby’s
See the image in its page

There are, of course, works by this artist, including a very fine Self-Portrait (ill. 1) in pastel and several delightful landscapes in the same technique (ill. 2), a theme with which we were less familiar from her, but which the retrospective at the Grand Palais (see article) had highlighted. But there are also works by her contemporaries, some better known than others. A magnificent portrait of a man is by Claude Arnulphy (ill. 3), an artist originally from Lyon who spent most of his career in Provence. Although he belongs to the latter category, a painting such as this shows that he could have enjoyed greater renown.


3. Claude Arnulphy (1697-1786)
Portrait of Jean-Baptiste
Boyer de Fonscolombe
, 1740
Oil on canvas - 63.8 x 55.6 cm
Sale Sotheby’s New York, 31/1/24
Photo: Didier Rykner
See the image in its page
4. Carlo Maratta (1625-1713)
The Madonna and Child Appearing to Saints Ambrosius, Francis of Sales and Nicholas of Bari
Pen, brown ink and wash, black chalk -…

To access this content, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page. If you would like to test the subscription, you can subscribe for one month (at €8) and if you don’t like it, you can send us an e-mail asking us to unsubscribe you (at least ten days before the next direct debit).

If you are already a subscriber, sign in using this form.

Your comments

In order to be able to discuss articles and read the contributions of other subscribers, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page.

If you are already a subscriber, sign in.