Editorial
James Lawrence, Confronting the present: museums in Los Angeles
Articles
Elizabeth Cowling, What the wallpapers say: Picasso’s papiers collés of 1912–14
Sarah Whitfield, Unpublished letters from René Magritte to Pierre Flouquet: 1920–21
Sam Rose, The visual arts in the BBC’s ‘The Listener’, 1929–39
Rebecca Daniels, Henri Matisse’s stained-glass window ‘La Rosace’ (1954)
Timothy Bond, A reconsideration of Roger Hilton’s ‘September 1963 (Figure and bird)’
Books
Giles Waterfield, The First Modern Museums of Art
Hans Rooseboom, Painting and Photography, 1839–1914
Richard Thomson, Félix Vallotton. Critique d’art
Marc Simpson, John Singer Sargent: Figures and Landscapes, 1900–1907. Complete Paintings, Volume VII
Elizabeth Clegg, Österreich und die Biennale Venedig 1895–2013 / Austria and the Venice Biennale 1895–2013
Mark Stocker, 240: Two Hundred and Forty Years of New Zealand Painting
Shulamith Behr, Netzwerke des Exils. Künstlerische Verflechtungen, Austausch und Patronage nach 1933
Roger Cardinal, Writing Art. French Literary Responses to the Work of Alberto Giacometti
Roger Cardinal, Alberto Giacometti. A Biography of his Work
Bradford R. Collins, An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism
John-Paul Stonard, Gerhard Richter Catalogue Raisonné, Volume 1: Nos.1–198, 1962–1968
James Cahill, Scott Burton. Collected Writings on Art and Performance 1965–1975
James Cahill, Michael Peppiatt. Interviews with Artists 1966–2012
Exhibitions
Richard Green, The Discovery of Paris. London
Merlin James, L.S. Lowry. London
James Boaden, Outsider art. London
Philip McEvansoneya, Frank Holl. Compton
Toby Treves, William Scott
Gregory Martin, L’Europe de Rubens. Lens
Melanie Vandenbrouck, Félicie de Fauveau. Les Lucs-sur-Boulogne and Paris
David Bindman, German art at the Louvre. Paris
Anne Blood, Venice Biennale 2013
Sarah Whitfield, Edgar Degas. Copenhagen