Editorial
The Victoria and Albert Museum
Articles
Marian Campbell and Michaela Zöschg, Gilded glass and English saints: a medieval reliquary at Douai Abbey
Lisandra S. Costiner, An illuminated fifteenth-century Milanese manuscript of the ‘Meditationes Vitae Christi’
Michalis Olympios, Architecture and liturgy in the east end of Saint-Urbain, Troyes
Peter Megyesi, The drinking servant in depictions of the ‘Adoration of the Magi’
Exhibitions
Jamie Mulherron, Joseph Bernard (1866–1931): Of Stone and Sensuality
Larry Silver, Michael Wolgemut: Mehr als Dürer’s Lehrer
Reino Liefkes, Koninklijk Blauw
Lorenz Van Der Meij, Im Herzen wild: Die Romantik in der Schweiz
Jennifer Reynolds-Kaye, Sculptures infinies: Des collections de moulages à l’ère digitale / Infinite Sculpture: From the Antique Cast to the 3D Scan
Michael Richardson, Len Lye: Motion Composer
Cheryl Finley and Jasmine Wilson, Working Together: The Photographers of the Kamoinge Workshop
Books
Mariam Rosser-Owen, Chess and Other Games Pieces from Islamic Lands (The al-Sabah Collection / Dar al-Athar al-Islamiyyah)
Jane Tibbetts Schulenburg, The Lost Art of the Anglo-Saxon World: The Sacred and Secular Power of Embroidery (Ancient Textiles Series, 35)
Julian Luxford, Christ on the Cross: The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970–1200
Investigations in Medieval Stained Glass: Materials, Methods, and Expressions (Reading Medieval Sources, 3)
Lindy Grant, Medieval Women, Material Culture, and Power: Matilda Plantagenet and her Sisters
Julian Gardner, Siena and the Angevins, 1300–1350: Art, Diplomacy, and Dynastic Ambition
Ana Cabrera Lafuente, Early Islamic Textiles from Along the Silk Road
Kayoko Ichikawa, Francesco Traini e la pittura a Pisa nella prima metà del Trecento
Antje Fehrmann, Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture
Constanza Beltrami, Flamboyant Architecture and Medieval Technicality: The Rise of Artistic Consciousness at the End of the Middle Ages (c. 1400–c. 1530)
Rose Walker, Migrating Art Historians on the Sacred Ways: Reconsidering Medieval French Art through the Pilgrim’s Body