Subscriber content

Tomás de Merlo: Guatemala in Washington

All the versions of this article: English, français

English version coming soon.

31/8/26 - Acquisition - Washington, The National Gallery of Art - Although Van Dyck never went to Guatemala, his works crossed the Atlantic; or at least they were disseminated through prints, serving as aids to evangelisation for missionaries and as models for local artists. Thus, the National Gallery in Washington recently enriched its collections with a Lamentation over the Dead Christ by Tomás de Merlo, purchased in 2026 from Jaime Eguiguren Arts & Antiquities in Buenos Aires, which had exhibited it at TEFAF in 2025 (ill. 1). Painted on copper c. 1730–1739, the composition is inspired by a painting by Anthony van Dyck, now in the Musée des Beaux-Arts in Antwerp, which was engraved by Hendrick Snyers and Paulus Pontius (ill. 2). But whereas the Flemish master gives Christ a…

To access this content, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page.

Your comments

In order to be able to discuss articles and read the contributions of other subscribers, you must subscribe to The Art Tribune. The advantages and conditions of this subscription, which will also allow you to support The Art Tribune, are described on the subscription page.

If you are already a subscriber, sign in.