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Editorial
The future of Tate Britain
Articles
Richard Green, Paul Sandby’s young pupil identified
David Stacey, Cotman’s aqueduct
Andrew Wilton, Post tenebras lux : J.M.W. Turner, James Wyatt and the importance of stained glass
Christiana Payne, A mild, a grateful, an unearthly lustre’ : Samuel Palmer and the moon
Susan Owens, “Ecorché”drawings by Edwin Landseer
Alice Eden, Robert Anning Bell in Liverpool, 1895–99 : the Arts and Crafts movement and the creation of a civic culture
Book Review
Julian Luxford, Canterbury Cathedral Priory in the Age of Becket
Desmond Shawe-Taylor, Johan Zoffany
Timothy Wilcox, Mysterious Wisdom. The Life and Work of Samuel Palmer
Olivier Meslay, Richard Dadd : The Artist and the Asylum
Julian Treuherz, The Correspondence of Dante Gabriel Rossetti. The Last Decade 1873–1882
J. B. Bullen, The Last Pre-Raphaelite : Edward Burne-Jones and the Victorian Imagination
James Fox, Above the Battlefield : Modernism and the Peace Movement in Britain, 1900–1918
Lee Hallman, William Nicholson : Catalogue Raisonné of the Oil Paintings
Alex Kidd, The Lion and the Unicorn : Symbolic Architecture for the Festival of Britain, 1951
Exhibition Review
Sarah Whitfield, Picasso and Modern British Art
Jeremy Lewison, Mondrian and Nicholson
George Major, Serial Publications ; Jeremy Deller
James Beechey, Ironside ; Sutherland ; Vaughan
Frances Spalding, John Cecil Stephenson
John-Paul Stonard, Georg Baselitz
Jörg Zutter, Pierre Bonnard
Anne Blood, Claes Oldenburg
Paul Holberton, Titian and landscape
Peta Motture, Antico
Martha Lucy, Renoir’s large-scale paintings
Christopher Brown, Rembrandt and the face of Jesus
James Lawrence, Clyfford Still
Calendar
Notes on Contributors