Editorial
Free for all
Articles
Laure Boyer, Two photographs of Victorine Meurent related to Manet’s ‘Le Déjeuner sur l’herbe’ and ‘Olympia’
Axel Moulinier, Copies in space and time : Watteau’s drawings after old-master paintings
Barbara Lasic, Elegant living : François-Joseph Bélanger’s projected ‘petite maison’ for Sophie Arnould
Michèle Hannoosh, ‘Christ on the Sea of Galilee’ : new light on a series by Delacroix
Benjamin Couilleaux, Ernest Morenon and the Porte de l’Alma : a lost monument from the 1937 Exposition internationale
Richard Thomson, A Monet century in print and on the wall
Exhibitions
Michael Clarke, Monets Küste : Die Entdeckung von Étretat
Kevin Salatino, Orazio Gentileschi : Un pittore in viaggio
Quentin Buvelot, Cornelius Jonson van Ceulen : An Anglo-Netherlandish Golden Age Painter
Hugh Belsey, Gainsborough : The Fashion of Portraiture
Nancy Ireson, Seurat and the Sea
Peter Cooke, Il Simbolismo in Italia : Originie sviluppi di una nuova estetica 1883–1915
Greg Thomas, Toutité-Iliazd : The Study of Form
Books
Martina Pippal, Mittelalterliche Kunst in Bewegung : ‘Praymobil’
Francis Russell, Pietro Bellotti e la pittura del seicento a Venezia : Stupore, realtà, enigma
Jay A. Clarke, Seeing Silence : The Paintings of Helene Schjerfbeck
Ekin Erkan, Roberto Matta : 1911-2002
Dora Thornton, Constellations : Contemporary Jewelry at the Dallas Museum of Art
Marie-Anne Dupuy-Vachey, Les Peintures italiennes du musée Napoléon (1810–1815) : Edition illustrée et commentée du volume I de l’‘Inventaire Napoléon’
Fernando Gutiérrez Baños, Art and Artifice in Twelfth-Century Iberia
Jill Kraye, Leon Battista Alberti : Writer and Humanist
Gabriel Byng, England and France before 1500 : Proceedings of the 2023 Harlaxton Symposium Held in Honour of Jenny Stratford
Pierre Rosenberg, Your very humble and very affectionate servant : the letters of Nicolas Poussin 1630-1665
Glyn Davies, Wyvern Collection Objects in Focus : The Baird Casket
Fabrizio Nevola, Orsanmichele : A Medieval Grain Market and Confraternity
Andrew Hopkins, Bramante non fece ‘né la più bella, né la più artificiosa architetturadi questa’ : La scala a lumaca del ‘palatium’ innocenziano-roveresco del Belvedere Vaticano
Neil McWilliam, James Pradier : Correspondance. Tome IV (1847-1849)