The end of reproduction fees?
Articles
Eric Bianchi, Sheila Barker, ‘Upon his visit to see my paintings’: sonnets by Artemisia Gentileschi and Pietro della Valle
Alison Manges Nogueira, Concealing Portraits in Renaissance Venice: Jacometto’s Painted Box
Justin Davies, Early Copies on Panel after Anthony Van Dyck: New Findings
Maryanne Stevens, Tailored to a conservative taste? The Swedish exhibition at the Royal Academy, 1924
Holbein in exhibitions in Frankfurt and London
Stephen Bann, Reviving Delaroche
Exhibitions
Reinier Baarsen, José Canops: Möbel von Welt für Karl III. von Spanien 1759–1788 Möbel à la Roentgen: Inspirationen aus der Neuwieder Manufaktur
Charles Barber, Africa & Byzantium
Armin Kunz, Art of Enterprise: Israhel van Meckenem’s fifteenth-century print workshop
Scott Nethersole, Botticelli Drawings
Georgios E. Markou, El Greco: Un Pittore Nel Labirinto
Christopher Baker, Colour Revolution: Victorian Art, Fashion and Design
Jane Becker, Camille Claudel
Elizabeth Cowling, Picasso in Fontainebleau
Sarah Bolwell, Making New Worlds: Li Yuanchia & Friends
Murdo Macdonald, The Scottish Galleries
Books
Mark Evans, A History of Arcadia in Art and Literature
Liz James, The Mosaics of Roger II in Sicily: Visualising sacred authority
Jitske Jasperse, White: The History of a Color Les couleurs au Moyen Âge: Dictionnaire encyclopédique
Hans Burgkmair: Die Zeichnungen
Saida Bondini, The Lives of Francesco Francia and Lorenzo Costa (Carlo Cesare Malvasia’s ‘Felsina Pittrice’: Lives of the Bolognese Painters, 2.1)
Rosemary Crill, The Art of Cloth in Mughal India
Catherine Phillips, Women Artists in the Reign of Catherine the Great
Philip Ward-Jackson, Canova e gli inglesi
Tessa Wild, Elizabeth Siddal: Her Story
Natalie Rudd, Escala: Escultura 1945–2000