Editorial
Don’t believe your eyes
Articles
James Fairhead, Victorine Meurent : new evidence from America and Paris
Mary Vaccaro, Naming Parmigianino’s Antea
Alexandra Morrison, Ingres, Raphael and the ‘tableaux de tapisserie’ in Meaux Cathedral
Michael Hall, Prince Albert, architect : the Duchess of Kent’s mausoleum
Elizabeth Sears, Aby Warburg’s Hertziana lecture, 1929
Wayne E. Franits, The lure of the south
Elizabeth Pergam, Behind the scenes at the modern art museum
Exhibitions
Richard Thomson, Van Gogh in Auvers : His Final Months
Jonathan Lopez, Van Gogh’s Cypresses
Christine Gardner-Dseagu, Luxury and Power : Persia to Greece
John Mcneill, Normands : Migrants, conquérants, innovateurs
Sheila Barker, Lavinia Fontana : Trailblazer, Rule Breaker
Todd Longstaffe-Gowan, Trädgården : Konst och natur under sex sekler
Talia Kwartler, Futurism and Europe : The Aesthetics of a New World
Timothy J. Standring, American Watercolors, 1880–1990 : Into the Light
Kathryn Lloyd, Roni Horn : I am paralyzed with hope
Books
Ian Lochhead, Building Greater Britain : Architecture, Imperialism, and the Edwardian Baroque Revival c.1885–1920
Péter Bokody, Giotto’s Arena Chapel and the Triumph of Humility
Zoë Opacic, Genealogy and the Politics of Representation in the High and Late Middle Ages
Piers Baker-Bates, Sebastiano del Piombo and the Sacred Image : Mediating the Divine in the Age of Reform
Benjamin Couilleaux, Dessins bolonais du XVIe siècle (Dessins italiens du Musée du Louvre, 12)
Hans Jakob Meier, Anatomical Studies (Corpus Rubenianum Ludwig Burchard, 20.1)
Stephen Lloyd, Scottish Portraiture 1644–1714 : David and John Scougall and Their Contemporaries
Frédéric Ogée, James Gillray : A Revolution in Satire
Christopher Green, Radical Art and the Formation of the Avant-Garde
Tabitha Oost, Africa’s Struggle for Its Art : History of a Postcolonial Defeat
Obituary
Christian Weikop, Shulamith Behr (1946–2023)