Editorial
Omai
Articles
Paul Joannides, A drawing by Michelangelo for the ‘Worship of the Brazen Serpent’
Michèle Hannoosh, Delacroix in Morocco and Andalusia : rediscovered notebooks and drawings
Georgios E. Markou, Titian’s ‘Allegory of Prudence’ and Philip II
Yuriko Jackall,Barbara H. Berrie, John K. Delaney, Michael Swicklik, Greuze’s greens : ephemeral colours, classical ambitions
James Hall, Becoming ‘obeliscal’ : Van Gogh, ancient Egypt and the global Orient – I : figures
Exhibitions
Richard E. Spear, Guido Reni : The Divine
Roko Rumora, Chroma : Ancient Sculpture in Color
Deborah Freeman, Magic Rock Crystal
Raffaella Morselli, Artemisia Gentileschi in Naples
Francesca Whitlum-Cooper, Poussin et l’amour
Desmond Shawe-Taylor, Gainsborough’s House
TimothY Wilcox, Sussex Landscape : Chalk, Wood and Water
Rosamund Bartlett, M.K. Čiurlionis : Between Worlds
Verity Mackenzie, Meret Oppenheim : My Exhibition
Friso Lammertse, Royal Museum of Fine Arts, Antwerp (KMSKA)
Books
Richard Shiff, Cézanne in the Barnes Foundation
Lindy Grant, Nogent-le-Rotrou roman et gothique
Anthony Colantuono, Giovanni Bellini : The Last Works
Giulio Dalvit, The Art of Sculpture in Fifteenth-Century Italy
Simon Jervis, Cuirs dorés, ‘Cuirs de Cordoue’ : un art européen
Gauvin Alexander Bailey, Rubens in Repeat : The Logic of the Copy in Colonial Latin America
Stephen Bann, Loss in French Romantic Art, Literature, and Politics
Charlotte Gere, Enriching the V&A : a Collection of Collections (1862–1914)
Martin Hammer, Francis Bacon – In the Mirror of Photography : Collecting, Preparatory Practice and Painting
Eric Riddler, Fairweather and China
Catherine Reynolds, Penned and Painted : The Art and Meaning of Books in Medieval and Renaissance Manuscripts
Jennifer Johnson, Interpreting Art
Stephen Feeke, Queer St Ives and Other Stories
Obituary
Paul Spencer-Longhurst, Richard Verdi (1941–2022)