The Burlington Magazine - n° 1412 vol CLXII - November 2020


The Tate Archive at fifty


Maryan W. Ainsworth, A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres

Grégoire Extermann, A statue of Marcantonio Colonna by Guglielmo della Porta

Raùl Martinez Arranz, The Apollo Coach by Cristoforo Schor

Anna Frasca-Rath, Annette Wickham, Designs by John Gibson for the Gibson Gallery at the Royal Academy of Arts

Nicholas Penny, Avatars of Antiquity I : From the nude warrior in Florence to the alien maiden in Piccadilly

Alexandra Gajewski, The reopening of the Dresden Gemäldegalerie Alte Meister


Michael Richardson, Not Without My Ghosts : The Artist as Medium

Kirstin Kennedy, Precious and Rare : Islamic Metalwork from the Courtauld

Patrizia Cavazzini, Raphael : 1520–1483

Sebastian Dohe, Peter Paul Rubens and the Northern Baroque

Maria Cristina Terzaghi, Georges de La Tour : Europe of Light

Eric Zafran, Making The Met : 1870–2020

Michelle Jackson-Beckett, The Beginning : Art in Austria, 1945 to 1980


Jeremy Warren, Il Bresciano : Bronze-Caster of Renaissance Venice

Klaus Gereon Beuckers, Ornament as Argument : Textile Pages and Textile Metaphors in Early Medieval Manuscripts

Francesco Capitummino, La scultura nella Sicilia normanna

Sarah M. Guérin, The Wyvern Collection : Medieval and Later Ivory Carvings and Small Sculpture

Luca Palozzi, L’Altare di San Giovanni del Museo dell’Opera del Duomo di Firenze : Il restauro (2006–2012)

Ian Jenkins, Egyptian and Roman Antiquities and Renaissance Decorative Arts (The Paper Museum of Cassiano dal Pozzo, Series A : Antiquities and Architecture, Part 8

Yuriko Jackall, Fancy in Eighteenth-Century European Visual Culture

Katharine Eustace, Working Against the Grain : Women Sculptors in Britain c.1885–1950

Roger Bowdler, Never Again. Gardens of Peace : A Landscape and Architectural History of War Cemeteries

David J. Getsy, Sculpting Art History : Essays in Memory of Benedict Read

Colin Rhodes, Gatecrashers : The Rise of the Self-Taught Artist in America


Alain Erlande-Brandenburg (1937–2020)


Recent acquisitions (2006-2020) at the Maurithshuis, The Hague

Vos commentaires

Afin de pouvoir débattre des article et lire les contributions des autres abonnés, vous devez vous abonner à La Tribune de l’Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l’Art, sont décrits sur la page d’abonnement.

Si vous êtes déjà abonné, connectez-vous.