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	<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>La sculpture en bronze au temps des derniers M&#233;dicis</title>
		<link>https://www.latribunedelart.com/la-sculpture-en-bronze-au-temps-des-derniers-medicis</link>
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		<dc:date>2019-12-16T22:47:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Giambologna, dit Jean de Bologne (1529-1608)</dc:subject>
		<dc:subject>Giovanni Francesco Susini (1585-vers 1653)</dc:subject>
		<dc:subject>Giovanni Battista Foggini (1652-1725)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Giuseppe Piamontini (1664-1742)</dc:subject>
		<dc:subject>Antonio Montauti (1683-1746)</dc:subject>

		<description>&lt;p&gt;L'exposition que le Palais Pitti consacre aux bronzes florentins de la fin de la Renaissance au XVIIIe si&#232;cle est tout &#224; fait remarquable. Elle fait cependant davantage parler d'elle pour la pr&#233;sence d'une seule &#339;uvre que pour toutes les autres qu'elle permet de d&#233;couvrir, ce qui est un peu dommage. La sculpture en question est le bronze pr&#233;sent&#233; par le commissaire de l'exposition (et directeur des Offices) Eike D. Schmidt comme sans aucun doute de Giambologna&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giambologna-dit-jean-de-bologne-1529-1608" rel="tag"&gt;Giambologna, dit Jean de Bologne (1529-1608)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-susini-1585-vers-1653" rel="tag"&gt;Giovanni Francesco Susini (1585-vers 1653)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-foggini-1652-1725" rel="tag"&gt;Giovanni Battista Foggini (1652-1725)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-piamontini-1664-1742" rel="tag"&gt;Giuseppe Piamontini (1664-1742)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-montauti-vers-1685-vers-1740" rel="tag"&gt;Antonio Montauti (1683-1746)&lt;/a&gt;

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<item xml:lang="fr">
		<title>&#192; New York, Tefaf et ventes aux ench&#232;res</title>
		<link>https://www.latribunedelart.com/a-new-york-tefaf-et-ventes-aux-encheres</link>
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		<dc:date>2018-10-29T03:42:47Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Charles Le Brun (1619-1690)</dc:subject>
		<dc:subject>Th&#233;odore G&#233;ricault (1791-1824)</dc:subject>
		<dc:subject>Jan Boeckhorst (1605-1668)</dc:subject>
		<dc:subject>Jusepe de Ribera (1591-1652)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Claude Gell&#233;e, dit le Lorrain (vers 1600-1682)</dc:subject>
		<dc:subject>Alessandro Allori (1535-1607)</dc:subject>
		<dc:subject>John Ruskin (1819-1900)</dc:subject>
		<dc:subject>Hilding Werner (1880-1944)</dc:subject>
		<dc:subject>Tefaf New York</dc:subject>

		<description>&lt;p&gt;C'est d&#233;sormais une tradition : la Tefaf est solidement implant&#233;e &#224; New York, &#224; l'Armory Show, au printemps pour le moderne et contemporain, et &#224; l'automne pour l'art ancien. Pour sa troisi&#232;me &#233;dition dans cette derni&#232;re sp&#233;cialit&#233;, la foire est une nouvelle fois de haute qualit&#233;. Et il ne faut pas manquer, car il se trouve discr&#232;tement plac&#233; &#224; gauche de l'escalier, le stand de la galerie Wildenstein, incontestablement le plus riche en tableaux et sculptures. Il ne pr&#233;sente que des chefs-d'&#339;uvre ou presque de l'art fran&#231;ais, par les plus grands artistes. On y voit un tableau de Claude Lorrain (ill. 1), deux Fragonard sublimes, pas moins de quatre assiettes peintes par Hubert Robert&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/charles-le-brun-1619-1690" rel="tag"&gt;Charles Le Brun (1619-1690)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodore-gericault-1791-1824" rel="tag"&gt;Th&#233;odore G&#233;ricault (1791-1824)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jan-boeckhorst-1605-1668" rel="tag"&gt;Jan Boeckhorst (1605-1668)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jusepe-de-ribera-1591-1652-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890" rel="tag"&gt;Jusepe de Ribera (1591-1652)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/claude-gellee-dit-le-lorrain-1600-1682-953" rel="tag"&gt;Claude Gell&#233;e, dit le Lorrain (vers 1600-1682)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-allori-1535-1607" rel="tag"&gt;Alessandro Allori (1535-1607)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/john-ruskin-1819-1900" rel="tag"&gt;John Ruskin (1819-1900)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hilding-werner-1880-1944" rel="tag"&gt;Hilding Werner (1880-1944)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/tefaf-new-york" rel="tag"&gt;Tefaf New York&lt;/a&gt;

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<item xml:lang="fr">
		<title>Salon, ventes aux ench&#232;res et expositions dans les galeries &#224; Londres</title>
		<link>https://www.latribunedelart.com/salon-ventes-aux-encheres-et-expositions-dans-les-galeries-a-londres</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/salon-ventes-aux-encheres-et-expositions-dans-les-galeries-a-londres</guid>
		<dc:date>2018-07-03T21:30:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Fran&#231;ois Girardon (1628-1715)</dc:subject>
		<dc:subject>Ottavio Leoni (1578-1630)</dc:subject>
		<dc:subject>Antoine Watteau (1684-1721)</dc:subject>
		<dc:subject>Ludovico Carracci (1555-1619)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Juan van der Hamen (1596-1631)</dc:subject>
		<dc:subject>Alfred Gilbert (1854-1934)</dc:subject>
		<dc:subject>Vicente Carducho (1576-1638)</dc:subject>
		<dc:subject>Santi di Tito (1567-1603)</dc:subject>
		<dc:subject>Alessandro Magnasco (1667-1749)</dc:subject>
		<dc:subject>Fran&#231;ois Flameng (1856-1923)</dc:subject>

		<description>&lt;p&gt;Avec les ventes Christie's et Sotheby's, les expositions dans les galeries et le salon Masterpiece Londres devient pour quelques jours, D&#233;but juillet, Londres devient lieu o&#249; il faut &#234;tre pour acheter des &#339;uvres anciennes et du XIXe si&#232;cle, avec les ventes Sotheby's et Christie's (et parfois m&#234;me Bonham's), les expositions dans les galeries et le salon Masterpiece.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/francois-girardon-1628-1715" rel="tag"&gt;Fran&#231;ois Girardon (1628-1715)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ottavio-leoni-1578-1630" rel="tag"&gt;Ottavio Leoni (1578-1630)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antoine-watteau-1684-1721" rel="tag"&gt;Antoine Watteau (1684-1721)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ludovico-carracci-1555-1619" rel="tag"&gt;Ludovico Carracci (1555-1619)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/juan-van-der-hamen-1596-1631" rel="tag"&gt;Juan van der Hamen (1596-1631)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alfred-gilbert-1854-1934" rel="tag"&gt;Alfred Gilbert (1854-1934)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/vicente-carducho-1576-1638" rel="tag"&gt;Vicente Carducho (1576-1638)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/santi-di-tito-1567-1603" rel="tag"&gt;Santi di Tito (1567-1603)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-magnasco-1667-1749" rel="tag"&gt;Alessandro Magnasco (1667-1749)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-flameng-1856-1923" rel="tag"&gt;Fran&#231;ois Flameng (1856-1923)&lt;/a&gt;

		</description>



		
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<item xml:lang="fr">
		<title>Maastricht 2012, la vingt-cinqui&#232;me &#233;dition de la TEFAF</title>
		<link>https://www.latribunedelart.com/maastricht-2012-la-vingt-cinquieme-edition-de-la-tefaf-3613-3613</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/maastricht-2012-la-vingt-cinquieme-edition-de-la-tefaf-3613-3613</guid>
		<dc:date>2012-03-18T22:51:26Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Henri de Triqueti (1803-1874)</dc:subject>
		<dc:subject>Alessandro Algardi (1598-1654)</dc:subject>
		<dc:subject>Charles Dauphin (1615-1677)</dc:subject>
		<dc:subject>Alexandre Dubois-Drahonet (1790-1834)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Bernardo Strozzi (1581-1644)</dc:subject>
		<dc:subject>Nicolas Cordier (1567-1612)</dc:subject>
		<dc:subject>Luca Faydherbes (1617-1697)</dc:subject>
		<dc:subject>Foire de Maastricht (TEFAF)</dc:subject>
		<dc:subject>Jean Le Clerc (1587/1588-1633)</dc:subject>
		<dc:subject>Ercole Ferrata (1610-1686)</dc:subject>
		<dc:subject>Simone Peterzano (1535-1599)</dc:subject>
		<dc:subject>Pietro Tacca (1577-1640)</dc:subject>
		<dc:subject>Tilman Riemenschneider (vers 1460-1531)</dc:subject>

		<description>&lt;p&gt;La foire de Maastricht f&#234;te son vingt-cinqui&#232;me anniversaire. A cette occasion pourtant, la section de peinture ancienne que nous privil&#233;gions en g&#233;n&#233;ral chaque ann&#233;e nous a sembl&#233; un peu moins attrayante que pour les &#233;ditions pr&#233;c&#233;dentes. Un niveau excellent bien s&#251;r, comme d'habitude, mais sans les quelques &#339;uvres un peu exceptionnelles qui ajoutent &#224; l'excitation des visiteurs. Que beaucoup de tableaux soient d&#233;j&#224; connus pour avoir &#233;t&#233; expos&#233;s souvent ces derni&#232;res ann&#233;es ne saurait &#234;tre r&#233;dhibitoire pour un amateur &#8211; il est difficile de renouveler totalement le fonds d'une ann&#233;e sur l'autre - mais certains &#233;taient expos&#233;s exactement au m&#234;me endroit que l'ann&#233;e derni&#232;re, ce qui donnait parfois une impression de d&#233;j&#224;-vu un peu &#233;trange.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/henri-de-triqueti-1803-1874" rel="tag"&gt;Henri de Triqueti (1803-1874)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-algardi-1598-1654" rel="tag"&gt;Alessandro Algardi (1598-1654)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-dauphin-1615-1677" rel="tag"&gt;Charles Dauphin (1615-1677)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alexandre-dubois-drahonet-1791-1834" rel="tag"&gt;Alexandre Dubois-Drahonet (1790-1834)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bernardo-strozzi-1581-1644" rel="tag"&gt;Bernardo Strozzi (1581-1644)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-cordier-1567-1612" rel="tag"&gt;Nicolas Cordier (1567-1612)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/luca-faydherbes-1617-1697" rel="tag"&gt;Luca Faydherbes (1617-1697)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/foire-de-maastricht-tefaf" rel="tag"&gt;Foire de Maastricht (TEFAF)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-le-clerc-1587-1588-1633" rel="tag"&gt;Jean Le Clerc (1587/1588-1633)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ercole-ferrata-1610-1686" rel="tag"&gt;Ercole Ferrata (1610-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/simone-peterzano-1535-1599" rel="tag"&gt;Simone Peterzano (1535-1599)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pietro-tacca-1577-1640" rel="tag"&gt;Pietro Tacca (1577-1640)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/tilman-riemenschneider-vers-1460-1531" rel="tag"&gt;Tilman Riemenschneider (vers 1460-1531)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Une collection de bronzes de la Renaissance offerte &#224; la National Gallery de Washington </title>
		<link>https://www.latribunedelart.com/une-collection-de-bronzes-de-la-renaissance-offerte-a-la-national-gallery-de-washington</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/une-collection-de-bronzes-de-la-renaissance-offerte-a-la-national-gallery-de-washington</guid>
		<dc:date>2008-05-28T15:28:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Artus I Quellinus (1609-1668)</dc:subject>
		<dc:subject>Baccio Bandinelli (1493-1560)</dc:subject>
		<dc:subject>Washington, National Gallery of Art</dc:subject>
		<dc:subject>Andrea Briosco, dit Il Riccio (1470-1532)</dc:subject>
		<dc:subject>Barth&#233;lemy Prieur (vers 1536-1611)</dc:subject>
		<dc:subject>Giovanni Francesco Susini (1585-vers 1653)</dc:subject>
		<dc:subject>Pier Jacopo Alari-Bonacolsi, dit l'Antico (vers 1460-1528)</dc:subject>
		<dc:subject>Tiziano Aspetti (1557/1559-1606)</dc:subject>
		<dc:subject>Giambologna, dit Jean de Bologne (1529-1608)</dc:subject>
		<dc:subject>Francesco Fanelli (actif de 1608 &#224; 1665)</dc:subject>
		<dc:subject>Pierre Franqueville (1546/1547-1615)</dc:subject>
		<dc:subject>Leonhard Kern (1588-1662)</dc:subject>
		<dc:subject>Nicol&#242; Roccatagliata (actif de 1593 &#224; 1633)</dc:subject>
		<dc:subject>Francesco Segala (actif de 1558 &#224; 1592)</dc:subject>
		<dc:subject>Severo da Ravenna (actif &#224; partir de 1496-1525/1538)</dc:subject>
		<dc:subject>Antonio Susini (1558-1624)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Willem Danielsz van Tetrode (actif dans la seconde moiti&#233; du XVIe si&#232;cle)</dc:subject>
		<dc:subject>Alessandro Vittoria (1525-1608)</dc:subject>
		<dc:subject>Adriaen de Vries (vers 1556-1626)</dc:subject>

		<description>&lt;p&gt;Du 27 janvier au 4 mai de cette ann&#233;e, ce mus&#233;e am&#233;ricain exposait la collection de bronzes de la Renaissance appartenant &#224; Robert H. Smith. Celui-ci est un homme d'affaire, pr&#233;sident de la Charles E. Smith Company, depuis fort longtemps m&#233;c&#232;ne de la National Gallery&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/artus-i-quellinus-1609-1668" rel="tag"&gt;Artus I Quellinus (1609-1668)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/baccio-bandinelli-1493-1560" rel="tag"&gt;Baccio Bandinelli (1493-1560)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/washington-national-gallery-of-art" rel="tag"&gt;Washington, National Gallery of Art&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/andrea-briosco-dit-il-riccio-1470-1532" rel="tag"&gt;Andrea Briosco, dit Il Riccio (1470-1532)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/barthelemy-prieur-vers-1536-1611" rel="tag"&gt;Barth&#233;lemy Prieur (vers 1536-1611)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-susini-1585-vers-1653" rel="tag"&gt;Giovanni Francesco Susini (1585-vers 1653)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pier-jacopo-alari-bonacolsi-dit-l-antico-vers-1460-1528" rel="tag"&gt;Pier Jacopo Alari-Bonacolsi, dit l'Antico (vers 1460-1528)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/tiziano-aspetti-1557-1559-1606" rel="tag"&gt;Tiziano Aspetti (1557/1559-1606)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giambologna-dit-jean-de-bologne-1529-1608" rel="tag"&gt;Giambologna, dit Jean de Bologne (1529-1608)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francesco-fanelli-actif-de-1608-a-1665" rel="tag"&gt;Francesco Fanelli (actif de 1608 &#224; 1665)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-franqueville-1546-1547-1615" rel="tag"&gt;Pierre Franqueville (1546/1547-1615)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/leonhard-kern-1588-1662" rel="tag"&gt;Leonhard Kern (1588-1662)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolo-roccatagliata-actif-de-1593-a-1633" rel="tag"&gt;Nicol&#242; Roccatagliata (actif de 1593 &#224; 1633)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francesco-segala-actif-de-1558-a-1592" rel="tag"&gt;Francesco Segala (actif de 1558 &#224; 1592)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/severo-da-ravenna-actif-a-partir-de-1496-1525-1538" rel="tag"&gt;Severo da Ravenna (actif &#224; partir de 1496-1525/1538)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-susini-actif-a-partir-de-1572-1624" rel="tag"&gt;Antonio Susini (1558-1624)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/willem-danielsz-van-tetrode-actif-dans-la-seconde-moitie-du-xvie-siecle" rel="tag"&gt;Willem Danielsz van Tetrode (actif dans la seconde moiti&#233; du XVIe si&#232;cle)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-vittoria-1525-1608" rel="tag"&gt;Alessandro Vittoria (1525-1608)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/adrian-de-vries-vers-1545-1626" rel="tag"&gt;Adriaen de Vries (vers 1556-1626)&lt;/a&gt;

		</description>



		
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