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	<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>Un chef-d'&#339;uvre de Soldani Benzi pour Detroit </title>
		<link>https://www.latribunedelart.com/un-chef-d-oeuvre-de-soldani-benzi-pour-detroit</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/un-chef-d-oeuvre-de-soldani-benzi-pour-detroit</guid>
		<dc:date>2024-02-22T18:30:13Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Detroit, Institute of Arts</dc:subject>
		<dc:subject>Florence, Museo del Bargello</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Ce fut l'une des &#339;uvres les plus remarqu&#233;es de la derni&#232;re &#233;dition de la TEFAF de Maastricht o&#249; ce magnifique &lt;i&gt;modello&lt;/i&gt; en terre crue ex&#233;cut&#233; par le grand sculpteur florentin Massimiliano Soldani Benzi tr&#244;nait sur le stand de Stuart Lochhead. Le marchand annon&#231;ait d&#233;j&#224; qu'il avait &#233;t&#233; r&#233;serv&#233; par l'importante institution am&#233;ricaine dont nous pouvons enfin d&#233;voiler l'identit&#233; : il s'agit du Detroit Institute of Arts.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/detroit-institute-of-art" rel="tag"&gt;Detroit, Institute of Arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/florence-museo-del-bargello" rel="tag"&gt;Florence, Museo del Bargello&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

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<item xml:lang="fr">
		<title>La Tefaf 2023, un grand cru</title>
		<link>https://www.latribunedelart.com/la-tefaf-2023-un-grand-cru</link>
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		<dc:date>2023-03-12T21:29:14Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Juan Bautista Ma&#237;no (1581-1649)</dc:subject>
		<dc:subject>Diana Di Rosa (1602-1643)</dc:subject>
		<dc:subject>Bartolomeo Manfredi (1582-1622)</dc:subject>
		<dc:subject>Pensionante del Saraceni (actif vers 1610-1620)</dc:subject>
		<dc:subject>Jean-Henri Riesener (1734-1806)</dc:subject>
		<dc:subject>Fran&#231;ois Boucher (1703-1770)</dc:subject>
		<dc:subject>Giovanni Battista Salvi, called il Sassoferrato (1609-1685)</dc:subject>
		<dc:subject>Alessandro Magnasco (1667-1749)</dc:subject>
		<dc:subject>Louis Janmot (1814-1892)</dc:subject>
		<dc:subject>Luc-Olivier Merson (1846-1920)</dc:subject>
		<dc:subject>Foire de Maastricht (TEFAF)</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Vincenzo Danti (1530-1576)</dc:subject>
		<dc:subject>Antonio Canova (1757-1822)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Alonso Cano (1601-1667)</dc:subject>
		<dc:subject>Philippe de Champaigne (1602-1674)</dc:subject>
		<dc:subject>Louis II de Boullogne (1654-1733)</dc:subject>
		<dc:subject>Jacques Sablet (1749-1803)</dc:subject>
		<dc:subject>Paul Ranson (1861-1909)</dc:subject>
		<dc:subject>Augustin Jean Moreau, dit Moreau-Vauthier (1831-1893)</dc:subject>
		<dc:subject>Joseph Baumhauer (?-1772)</dc:subject>
		<dc:subject>Philippe Caffi&#233;ri (1714-1774)</dc:subject>
		<dc:subject>Pierre Macret (1727-apr&#232;s 1796)</dc:subject>
		<dc:subject>Louis-Joseph Le Lorrain (1715-1759)</dc:subject>
		<dc:subject>Giuseppe Viner (1875-1925)</dc:subject>

		<description>&lt;p&gt;En 2020, la foire fut &#233;court&#233;e pour cause de pand&#233;mie. En 2021, elle &#233;tait annul&#233;e pour la m&#234;me raison. En 2022, elle avait eu lieu en juin dans une forme un peu r&#233;duite.&lt;br class='autobr' /&gt;
2023 est donc l'ann&#233;e o&#249; la Tefaf revient &#224; ses dates classiques et &#224; sa taille habituelle. Ce retour &#224; la normale va de paire avec une ann&#233;e exceptionnelle, o&#249; les chefs-d'&#339;uvre sont comme d'habitude, et peut-&#234;tre plus encore, extr&#234;mement nombreux, et avec une fr&#233;quentation haut de gamme. Les conservateur de mus&#233;es s'y pressaient, notamment ceux venus d'outre-atlantique dont certains revenaient &#224; la Tefaf parfois pour la premi&#232;re fois depuis 2019.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/juan-bautista-maino-1581-1649-1759" rel="tag"&gt;Juan Bautista Ma&#237;no (1581-1649)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/diana-di-rosa-1602-1643" rel="tag"&gt;Diana Di Rosa (1602-1643)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bartolomeo-manfredi-1582-1622" rel="tag"&gt;Bartolomeo Manfredi (1582-1622)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pensionnaire-de-saraceni" rel="tag"&gt;Pensionante del Saraceni (actif vers 1610-1620)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-henri-riesener-1734-1806" rel="tag"&gt;Jean-Henri Riesener (1734-1806)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-boucher-1703-1770" rel="tag"&gt;Fran&#231;ois Boucher (1703-1770)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-salvi-dit-il-sassoferrato-1609-1685" rel="tag"&gt;Giovanni Battista Salvi, called il Sassoferrato (1609-1685)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-magnasco-1667-1749" rel="tag"&gt;Alessandro Magnasco (1667-1749)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-janmot-1814-1892" rel="tag"&gt;Louis Janmot (1814-1892)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/luc-olivier-merson-1846-1920" rel="tag"&gt;Luc-Olivier Merson (1846-1920)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/foire-de-maastricht-tefaf" rel="tag"&gt;Foire de Maastricht (TEFAF)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/vincenzo-danti-1530-1576" rel="tag"&gt;Vincenzo Danti (1530-1576)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-canova-1757-1822" rel="tag"&gt;Antonio Canova (1757-1822)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alonso-cano-1601-1667" rel="tag"&gt;Alonso Cano (1601-1667)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/philippe-de-champaigne-1602-1674" rel="tag"&gt;Philippe de Champaigne (1602-1674)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-ii-de-boullogne-1654-1733" rel="tag"&gt;Louis II de Boullogne (1654-1733)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-sablet-1749-1803" rel="tag"&gt;Jacques Sablet (1749-1803)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-ranson-1861-1909-2218" rel="tag"&gt;Paul Ranson (1861-1909)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/augustin-jean-moreau-dit-moreau-vauthier-1831-1893" rel="tag"&gt;Augustin Jean Moreau, dit Moreau-Vauthier (1831-1893)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/joseph-baumhauer-1772" rel="tag"&gt;Joseph Baumhauer (?-1772)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/philippe-caffieri-1714-1774" rel="tag"&gt;Philippe Caffi&#233;ri (1714-1774)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-macret-1727-apres-1796" rel="tag"&gt;Pierre Macret (1727-apr&#232;s 1796)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-joseph-le-lorrain-1715-1759" rel="tag"&gt;Louis-Joseph Le Lorrain (1715-1759)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-viner-1875-1925" rel="tag"&gt;Giuseppe Viner (1875-1925)&lt;/a&gt;

		</description>



		
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<item xml:lang="fr">
		<title>La sculpture en bronze au temps des derniers M&#233;dicis</title>
		<link>https://www.latribunedelart.com/la-sculpture-en-bronze-au-temps-des-derniers-medicis</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/la-sculpture-en-bronze-au-temps-des-derniers-medicis</guid>
		<dc:date>2019-12-16T22:47:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Giambologna, dit Jean de Bologne (1529-1608)</dc:subject>
		<dc:subject>Giovanni Francesco Susini (1585-vers 1653)</dc:subject>
		<dc:subject>Giovanni Battista Foggini (1652-1725)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Ferdinando Tacca (1619-1686)</dc:subject>
		<dc:subject>Giuseppe Piamontini (1664-1742)</dc:subject>
		<dc:subject>Antonio Montauti (1683-1746)</dc:subject>

		<description>&lt;p&gt;L'exposition que le Palais Pitti consacre aux bronzes florentins de la fin de la Renaissance au XVIIIe si&#232;cle est tout &#224; fait remarquable. Elle fait cependant davantage parler d'elle pour la pr&#233;sence d'une seule &#339;uvre que pour toutes les autres qu'elle permet de d&#233;couvrir, ce qui est un peu dommage. La sculpture en question est le bronze pr&#233;sent&#233; par le commissaire de l'exposition (et directeur des Offices) Eike D. Schmidt comme sans aucun doute de Giambologna&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giambologna-dit-jean-de-bologne-1529-1608" rel="tag"&gt;Giambologna, dit Jean de Bologne (1529-1608)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-susini-1585-vers-1653" rel="tag"&gt;Giovanni Francesco Susini (1585-vers 1653)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-foggini-1652-1725" rel="tag"&gt;Giovanni Battista Foggini (1652-1725)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ferdinando-tacca-1619-1686" rel="tag"&gt;Ferdinando Tacca (1619-1686)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-piamontini-1664-1742" rel="tag"&gt;Giuseppe Piamontini (1664-1742)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-montauti-vers-1685-vers-1740" rel="tag"&gt;Antonio Montauti (1683-1746)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Un dessin de Massimiliano Soldani Benzi offert au Mus&#233;e des Arts d&#233;coratifs</title>
		<link>https://www.latribunedelart.com/un-dessin-de-massimiliano-soldani-benzi-offert-au-musee-des-arts-decoratifs</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/un-dessin-de-massimiliano-soldani-benzi-offert-au-musee-des-arts-decoratifs</guid>
		<dc:date>2017-12-22T14:17:42Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Paris, Mus&#233;e des Arts d&#233;coratifs</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>

		<description>&lt;p&gt;Le fonds de dessin de Massimiliano Soldani Benzi d&#233;couvert par Nicolas Schwed et auquel celui-ci a consacr&#233; une exposition et un catalogue va repartir int&#233;gralement hors de France, tous les acheteurs &#233;tant &#233;trangers, qu'il s'agisse d'un mus&#233;e qui en a acquis un nombre cons&#233;quent (nous en dirons le nom d&#232;s que l'op&#233;ration sera termin&#233;e) ou de collectionneurs priv&#233;s. Il y a pourtant une exception : le Mus&#233;e des Arts d&#233;coratifs &#224; Paris s'est en effet vu offrir une feuille de ce lot, gr&#226;ce &#224; une souscription lanc&#233;e sur Facebook par quelques amis historiens et amateurs d'art.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-musee-des-arts-decoratifs" rel="tag"&gt;Paris, Mus&#233;e des Arts d&#233;coratifs&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Soixante dessins de Massimiliano Soldani expos&#233;s chez Nicolas Schwed</title>
		<link>https://www.latribunedelart.com/soixante-dessins-de-massimiliano-soldani-exposes-chez-nicolas-schwed</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/soixante-dessins-de-massimiliano-soldani-exposes-chez-nicolas-schwed</guid>
		<dc:date>2017-11-10T22:37:16Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>

		<description>&lt;p&gt;C'est une exposition exceptionnelle et qui ne se reproduira sans doute pas de si t&#244;t que montre Nicolas Schwed au 346 rue Saint-Honor&#233; jusqu'au 30 novembre. Il s'agit en effet des seuls dessins connus du sculpteur florentin Massimiliano Soldani, dont plusieurs ont pu &#234;tre rattach&#233;s &#224; des &#339;uvres connues, ce qui a permis &#224; Charles Avery, l'un des meilleurs connaisseurs de la sculpture ancienne, de confirmer leur attribution et d'&#233;crire le catalogue. Cet ouvrage est pour l'instant le seul jamais publi&#233; sur l'artiste, et sa richesse en font bien plus qu'un simple catalogue de marchand.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Les nouvelles salles &#171; Europe 1600-1815 &#187; du Victoria &amp; Albert Museum</title>
		<link>https://www.latribunedelart.com/les-nouvelles-salles-europe-1600-1815-du-victoria-albert-museum</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/les-nouvelles-salles-europe-1600-1815-du-victoria-albert-museum</guid>
		<dc:date>2016-02-15T14:38:21Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Travaux, agrandissements, ouvertures et r&#233;ouvertures de mus&#233;es, r&#233;accrochages</dc:subject>
		<dc:subject>Gian Lorenzo Bernini, dit le Bernin (1598-1680)</dc:subject>
		<dc:subject>Jules Hugues Rousseau, dit Rousseau l'A&#238;n&#233; (1743-1806)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Londres, Victoria and Albert Museum</dc:subject>
		<dc:subject>Andrea Brustolon (1662-1732)</dc:subject>
		<dc:subject>Johann Joachim K&#228;ndler (1706 -1775)</dc:subject>
		<dc:subject>Simon Troger (1693-1768)</dc:subject>

		<description>&lt;p&gt;Les r&#232;gles sont celles du jeu de l'oie, mais l'enjeu est celui de l'amour et le gagnant atteint l'hymen. La premi&#232;re case : &#171; la vue &#187; bien s&#251;r, et puis &#171; l'admiration &#187;, et l'on avance ou l'on recule, du &#171; soupir &#187; &#224; &#171; l'esp&#233;rance &#187;, les &#171; troubles &#187; succ&#232;dent aux &#171; minauderies &#187;, il faut tout de m&#234;me atteindre la case 52 pour obtenir un &#171; t&#234;te &#224; t&#234;te &#187;. Des personnages mythologiques illustrent parfois ces diff&#233;rents &#233;tats : les &#171; caresses &#187; sont par exemple &#233;voqu&#233;es par celles qu'Endymion prodigue &#224; sa statue. Ce jeu en fa&#239;ence r&#233;alis&#233; &#224; Rouen en 1725-1735 est &#224; rapprocher d'une estampe de Jean-Baptiste Cr&#233;py. Il est aujourd'hui visible au Victoria and Albert Museum parmi d'autres objets insolites, intrigants, ou simplement extraordinaires.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/musees" rel="directory"&gt;Mus&#233;es&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/travaux-agrandissements-ouvertures-et-reouvertures-de-musees-reaccrochages" rel="tag"&gt;Travaux, agrandissements, ouvertures et r&#233;ouvertures de mus&#233;es, r&#233;accrochages&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/gian-lorenzo-bernini-dit-le-bernin-1598-1680" rel="tag"&gt;Gian Lorenzo Bernini, dit le Bernin (1598-1680)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jules-hugues-rousseau-dit-rousseau-l-aine-1743-1806" rel="tag"&gt;Jules Hugues Rousseau, dit Rousseau l'A&#238;n&#233; (1743-1806)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/londres-victoria-and-albert-museum" rel="tag"&gt;Londres, Victoria and Albert Museum&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/andrea-brustolon-1662-1732" rel="tag"&gt;Andrea Brustolon (1662-1732)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/johann-joachim-kandler-1706-1775" rel="tag"&gt;Johann Joachim K&#228;ndler (1706 -1775)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/simon-troger-1683-1768" rel="tag"&gt;Simon Troger (1693-1768)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Deux aigui&#232;res de Soldani Benzi r&#233;apparaissent &#224; l'h&#244;tel Drouot</title>
		<link>https://www.latribunedelart.com/deux-aiguieres-de-soldani-benzi-reapparaissent-a-l-hotel-drouot-5019-5019-5019-5019-5019-5019-5019</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/deux-aiguieres-de-soldani-benzi-reapparaissent-a-l-hotel-drouot-5019-5019-5019-5019-5019-5019-5019</guid>
		<dc:date>2014-04-17T20:51:52Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Questions d'attribution</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>

		<description>&lt;p&gt;Hier mercredi 16 avril passaient en vente &#224; l'H&#244;tel Drouot deux vases en terre cuite, richement d&#233;cor&#233; de sculptures, pr&#233;sent&#233;s comme &#171; travail allemand, vers 1800 &#187;. Il s'agissait bien de &#171; projets d'aigui&#232;res &#187; comme le notait le catalogue. Celui-ci ne se trompait cependant que d'environ 100 ans et de pays, puisqu'il s'agissait en r&#233;alit&#233; de deux &#339;uvres de Massimiliano Soldani Benzi, le sculpteur florentin des M&#233;dicis&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/questions-d-attribution" rel="tag"&gt;Questions d'attribution&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;

		</description>



		
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<item xml:lang="fr">
		<title>Exposition des bronzes du Prince de Liechtenstein &#224; la Galerie Kugel </title>
		<link>https://www.latribunedelart.com/exposition-des-bronzes-du-prince-de-liechtenstein-a-la-galerie-kugel</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/exposition-des-bronzes-du-prince-de-liechtenstein-a-la-galerie-kugel</guid>
		<dc:date>2008-09-13T10:56:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Vienne, Liechtenstein Museum</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject> Bertoldo di Giovanni (vers 1440-1492)</dc:subject>
		<dc:subject>Giovanni Francesco Susini (1585-vers 1653)</dc:subject>

		<description>&lt;p&gt;En 2004, le Liechtenstein Museum ouvrait ses portes &#224; Vienne (voir br&#232;ve du 18/3/04). Depuis d&#233;j&#224; quelques ann&#233;es, le Prince de Liechtenstein avait repris une politique active d'acquisition qui en fait l'un des plus gros acheteurs europ&#233;ens dans le domaine de l'art ancien.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/vienne-liechtenstein-museum" rel="tag"&gt;Vienne, Liechtenstein Museum&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bertoldo-di-giovanni-vers-1440-1492" rel="tag"&gt; Bertoldo di Giovanni (vers 1440-1492)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-susini-1585-vers-1653" rel="tag"&gt;Giovanni Francesco Susini (1585-vers 1653)&lt;/a&gt;

		</description>



		
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<item xml:lang="fr">
		<title>Plusieurs sculptures du XVIIIe si&#232;cle acquises par la Frick Collection</title>
		<link>https://www.latribunedelart.com/plusieurs-sculptures-du-xviiie-siecle-acquises-par-la-frick-collection</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/plusieurs-sculptures-du-xviiie-siecle-acquises-par-la-frick-collection</guid>
		<dc:date>2007-01-06T15:53:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Claude Michel, dit Clodion (1738-1814)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Jean-Antoine Houdon (1741-1828)</dc:subject>
		<dc:subject>New York, Frick Collection</dc:subject>

		<description>&lt;p&gt;La Frick s'est r&#233;cemment enrichie de quatre sculptures. La premi&#232;re est une belle &lt;em&gt;Piet&#224;&lt;/em&gt; de Massimiliano Soldani-Benzi (ill. 1) donn&#233;e par The Quentin Foundation, une fondation priv&#233;e, qui avait expos&#233; dans ce mus&#233;e en 2004 une quarantaine d'&#339;uvres provenant de sa collection, essentiellement des statuettes en bronze du XVIe au XVIIIe si&#232;cle.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/claude-michel-dit-clodion-1738-1814" rel="tag"&gt;Claude Michel, dit Clodion (1738-1814)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-antoine-houdon-1741-1828" rel="tag"&gt;Jean-Antoine Houdon (1741-1828)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/new-york-frick-collection" rel="tag"&gt;New York, Frick Collection&lt;/a&gt;

		</description>



		
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