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		<title>Un jeu d'&#233;checs du XVIIIe si&#232;cle offert &#224; la Gr&#252;nes Gew&#246;lbe</title>
		<link>https://www.latribunedelart.com/un-jeu-d-echecs-du-xviiie-siecle-offert-a-la-grunes-gewolbe</link>
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		<dc:date>2023-08-11T14:16:50Z</dc:date>
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		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Paul Heermann (1673-1732)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Dresde, Gr&#252;nes Gew&#246;lbe</dc:subject>
		<dc:subject>Paul Solanier (1635-1724)</dc:subject>
		<dc:subject>New York, The Metropolitan Museum of Art</dc:subject>

		<description>&lt;p&gt;Certains cadeaux d'anniversaire sont plus amusants que d'autres : tous les visiteurs de l'&#233;dition 2022 de la Tefaf Maastricht se souviennent de ce merveilleux &#233;chiquier en &#233;b&#232;ne et en ivoire qui semblait tout droit sorti de quelque kunstkammer et qui vient d'&#234;tre offert aux SKD (Staatliche Kunstsammlungen Dresden) par la Ernst von Siemens Kunststiftung qui en a donc fait l'acquisition aupr&#232;s de la galerie Kugel.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

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		<title>Un chef-d'&#339;uvre de Paul Heermann retourne &#224; Dresde </title>
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		<dc:date>2023-04-07T20:08:53Z</dc:date>
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		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Dresde, Skulpturensammlung</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Paul Heermann (1673-1732)</dc:subject>

		<description>&lt;p&gt;Il fallait bien une exposition-dossier pour c&#233;l&#233;brer comme il se doit l'heureux aboutissement de dix ans d'espoirs et de n&#233;gociations : un marbre monumental de Paul Heermann a fait son retour en majest&#233; sur les rives de l'Elbe apr&#232;s avoir quitt&#233; l'Allemagne en 2008 ! Nous avions d&#233;couvert cette spectaculaire sculpture baroque sur le stand de la galerie Tomasso - alors Tomasso Brothers - &#224; la Tefaf de Maastricht en 2017&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

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