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	<title>La Tribune de l'Art</title>
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		<title>La Tribune de l'Art</title>
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<item xml:lang="en">
		<title>TEFAF 2026, an excellent edition</title>
		<link>https://www.latribunedelart.com/tefaf-2026-an-excellent-edition</link>
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		<dc:date>2026-03-14T22:40:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>TEFAF Maastricht</dc:subject>
		<dc:subject>Claude Gell&#233;e, called Claude (1600-1682)</dc:subject>
		<dc:subject>Hippolyte Flandrin (1809-1864)</dc:subject>
		<dc:subject>Charles Dauphin (1615-1677)</dc:subject>
		<dc:subject> Carlo Dolci (1616-1687)</dc:subject>
		<dc:subject>Ciro Ferri (1633-1689)</dc:subject>
		<dc:subject>Nicola Fumo (1647-1725)</dc:subject>
		<dc:subject>Georg Schweigger (1615-1690)</dc:subject>
		<dc:subject>Hubert Gehrard (vers 1550-1620)</dc:subject>
		<dc:subject>Antonio Campi (1522/1523-1587)</dc:subject>
		<dc:subject>Willem Jansz. Drost (1633-1659)</dc:subject>
		<dc:subject>Johann Heinrich F&#252;ssli, dit Henry Fuseli (1741-1825)</dc:subject>
		<dc:subject>Louis Cretey (1630/1635 or 1637-after 1702)</dc:subject>
		<dc:subject>Hyacinthe Rigaud (1659-1743)</dc:subject>
		<dc:subject>Joseph Parrocel (1646-1704)</dc:subject>
		<dc:subject>Nicolas Engelbert Cetto (1713-1746)</dc:subject>
		<dc:subject>Fran&#231;ois Boucher (1703-1770)</dc:subject>
		<dc:subject>Jean-Henri Riesener (1734-1806)</dc:subject>
		<dc:subject>Jean-Baptiste Carpeaux (1827-1875)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Germain Pilon (1525-1590)</dc:subject>
		<dc:subject>Fran&#231;ois Dufey (1782-1820)</dc:subject>

		<description>&lt;p&gt;Each edition of TEFAF is remarkable, but some years seem even better than others, and this is the case for 2026 (until March 19). We saw a large number of major works, and it is often difficult to make a choice, especially as we prefer not to show more than one work per stand, while some are filled with magnificent objects, and we also want to highlight objects that, even if not among the most important, have real heritage interest. As always, therefore, our selection will be&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;Art Market&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/foire-de-maastricht-tefaf" rel="tag"&gt;TEFAF Maastricht&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/claude-gellee-dit-le-lorrain-1600-1682-953" rel="tag"&gt;Claude Gell&#233;e, called Claude (1600-1682)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hippolyte-flandrin-1809-1864-712-712-712-712" rel="tag"&gt;Hippolyte Flandrin (1809-1864)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-dauphin-1615-1677" rel="tag"&gt;Charles Dauphin (1615-1677)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/carlo-dolci-1616-1687" rel="tag"&gt; Carlo Dolci (1616-1687)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ciro-ferri-1633-1689" rel="tag"&gt;Ciro Ferri (1633-1689)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicola-fumo-1647-1725" rel="tag"&gt;Nicola Fumo (1647-1725)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/georg-schweigger-1615-1690" rel="tag"&gt;Georg Schweigger (1615-1690)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hubert-gehrard-vers-1550-1620" rel="tag"&gt;Hubert Gehrard (vers 1550-1620)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-campi-1522-1523-1587" rel="tag"&gt;Antonio Campi (1522/1523-1587)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/willem-jansz-drost-1633-1659" rel="tag"&gt;Willem Jansz. Drost (1633-1659)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/johann-heinrich-fussli-dit-henry-fuseli-1741-1825" rel="tag"&gt;Johann Heinrich F&#252;ssli, dit Henry Fuseli (1741-1825)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-cretey-1645-apres-1690" rel="tag"&gt;Louis Cretey (1630/1635 or 1637-after 1702)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hyacinthe-rigaud-1659-1743-452" rel="tag"&gt;Hyacinthe Rigaud (1659-1743)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/joseph-parrocel-1646-1704" rel="tag"&gt;Joseph Parrocel (1646-1704)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-engelbert-cetto-actif-dans-la-premiere-moitie-du-xviiie-siecle" rel="tag"&gt;Nicolas Engelbert Cetto (1713-1746)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-boucher-1703-1770" rel="tag"&gt;Fran&#231;ois Boucher (1703-1770)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-henri-riesener-1734-1806" rel="tag"&gt;Jean-Henri Riesener (1734-1806)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-baptiste-carpeaux-1827-1875" rel="tag"&gt;Jean-Baptiste Carpeaux (1827-1875)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/germain-pilon-1525-1590" rel="tag"&gt;Germain Pilon (1525-1590)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-dufey-1782-1820" rel="tag"&gt;Fran&#231;ois Dufey (1782-1820)&lt;/a&gt;

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<item xml:lang="en">
		<title>Some paintings for sale at Drouot</title>
		<link>https://www.latribunedelart.com/some-paintings-for-sale-at-drouot</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/some-paintings-for-sale-at-drouot</guid>
		<dc:date>2024-11-20T14:10:09Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Nicolas Poussin (1594-1665)</dc:subject>
		<dc:subject>Nicolas Tournier (1590-1639)</dc:subject>
		<dc:subject>Ambrosius Bosschaert (1573-1621)</dc:subject>
		<dc:subject>Willem Claesz. Heda (1594-1680)</dc:subject>
		<dc:subject>Claude Mellan (1598-1688)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Jean-Baptiste Greuze (1725-1805)</dc:subject>

		<description>&lt;p&gt;As we await the opening of FAB Paris in the nave of the Grand Palais, a number of auction houses are offering fine sales of paintings and old master drawings, echoing the pieces of furniture, sculptures and objets d'art already on offer at Christie's and Sotheby's: While we will return later to the rich programme planned by Artcurial (article to follow), we can already start with H&#244;tel Drouot, which previewed a selection of its jewels in room 9, but Nicolas Tournier's unpublished The Lute Player was already being admired by&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/nicolas-poussin-1594-1665" rel="tag"&gt;Nicolas Poussin (1594-1665)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-tournier-1590-1639" rel="tag"&gt;Nicolas Tournier (1590-1639)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ambrosius-bosschaert-1573-1621" rel="tag"&gt;Ambrosius Bosschaert (1573-1621)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/willem-claesz-heda-1594-1680" rel="tag"&gt;Willem Claesz. Heda (1594-1680)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/claude-mellan-1598-1688" rel="tag"&gt;Claude Mellan (1598-1688)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-baptiste-greuze-1725-1805" rel="tag"&gt;Jean-Baptiste Greuze (1725-1805)&lt;/a&gt;

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<item xml:lang="en">
		<title>The &#034;Semaine du Dessin&#034; in Paris galleries (5)</title>
		<link>https://www.latribunedelart.com/the-semaine-du-dessin-in-paris-galleries-5</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/the-semaine-du-dessin-in-paris-galleries-5</guid>
		<dc:date>2024-03-22T18:36:18Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Hyacinthe Rigaud (1659-1743)</dc:subject>
		<dc:subject>Louis Testelin (1615-1665)</dc:subject>
		<dc:subject>Giuseppe Cades (1750-1799)</dc:subject>
		<dc:subject>Michel-Fran&#231;ois Dandr&#233;-Bardon (1700-1783)</dc:subject>
		<dc:subject>Jean-Baptiste Oudry (1686-1755)</dc:subject>
		<dc:subject>Camille-Auguste Gastine (1819-1867)</dc:subject>

		<description>&lt;p&gt;This is the fifth and final article in a long marathon that has taken us to all the galleries in Paris (or at least we hope we haven't missed any) that are holding exhibitions to mark the Semaine du Dessin.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hyacinthe-rigaud-1659-1743-452" rel="tag"&gt;Hyacinthe Rigaud (1659-1743)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-testelin-1615-1665" rel="tag"&gt;Louis Testelin (1615-1665)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-cades-1750-1799" rel="tag"&gt;Giuseppe Cades (1750-1799)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/michel-francois-dandre-bardon-1700-1783" rel="tag"&gt;Michel-Fran&#231;ois Dandr&#233;-Bardon (1700-1783)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-baptiste-oudry-1686-1755" rel="tag"&gt;Jean-Baptiste Oudry (1686-1755)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/camille-auguste-gastine-1819-1867" rel="tag"&gt;Camille-Auguste Gastine (1819-1867)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>The &#034;Semaine du Dessin&#034; in Paris galleries (1)</title>
		<link>https://www.latribunedelart.com/the-semaine-du-dessin-in-paris-galleries-1</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/the-semaine-du-dessin-in-paris-galleries-1</guid>
		<dc:date>2024-03-17T22:41:25Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Manuel Orazi (1860-1934)</dc:subject>
		<dc:subject>Alexis Merodack-Jeaneau (1873-1919)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>F&#233;licien Rops (1833-1898)</dc:subject>
		<dc:subject>Henri Rapin (1873-1939)</dc:subject>
		<dc:subject>Henri de Triqueti (1803-1874)</dc:subject>
		<dc:subject>Paul Albert Besnard, called Albert Besnard (1849-1934)</dc:subject>

		<description>&lt;p&gt;&#034;Oh you who leaf through these pages, having in your soul the unhealthy hope of finding in them the supreme power of Evil, be disappointed!&#034; Be disappointed, because Mathieu N&#233;ouze is less into witchcraft than symbolism, and the women who haunt his gallery for his new exhibition are not all fatal.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/manuel-orazi-1860-1934" rel="tag"&gt;Manuel Orazi (1860-1934)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alexis-merodack-jeaneau-1873-1919" rel="tag"&gt;Alexis Merodack-Jeaneau (1873-1919)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/felicien-rops-1833-1898" rel="tag"&gt;F&#233;licien Rops (1833-1898)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-rapin-1873-1939" rel="tag"&gt;Henri Rapin (1873-1939)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-de-triqueti-1803-1874" rel="tag"&gt;Henri de Triqueti (1803-1874)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-albert-besnard-dit-albert-besnard-1849-1934" rel="tag"&gt;Paul Albert Besnard, called Albert Besnard (1849-1934)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>A little-known heritage. Paintings from the diocese of Paris from the 15th to the 20th centuries</title>
		<link>https://www.latribunedelart.com/a-little-known-heritage-paintings-from-the-diocese-of-paris-from-the-15th-to-the-20th-centuries</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/a-little-known-heritage-paintings-from-the-diocese-of-paris-from-the-15th-to-the-20th-centuries</guid>
		<dc:date>2023-10-18T22:18:48Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Jean-Gabriel Domergue (1889-1962)</dc:subject>
		<dc:subject>Paolo de Matteis (1662-1728)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Nicolas Mignard (1606-1668)</dc:subject>
		<dc:subject>Eugenio Caj&#233;s (1575-1634)</dc:subject>
		<dc:subject>Paris, cath&#233;drale Notre-Dame</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;All the works of art recorded in Paris churches before 1905 and the law separating Church and State belonged to the City of Paris, and all those in Notre-Dame belonged to the State. Since then, however, many of them have entered the diocese's collections, either as gifts or bequests. These works, which are not in the public domain, may be exhibited in religious buildings and visible to the public, or they may be in the outbuildings of these buildings, such as sacristies, or in other places that cannot be visited.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Exhibitions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/jean-gabriel-domergue-1889-1962" rel="tag"&gt;Jean-Gabriel Domergue (1889-1962)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paolo-de-matteis-1662-1728" rel="tag"&gt;Paolo de Matteis (1662-1728)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-mignard-1606-1668" rel="tag"&gt;Nicolas Mignard (1606-1668)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/eugenio-cajes-1575-1634" rel="tag"&gt;Eugenio Caj&#233;s (1575-1634)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-cathedrale-notre-dame" rel="tag"&gt;Paris, cath&#233;drale Notre-Dame&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>News from Bayeux</title>
		<link>https://www.latribunedelart.com/news-from-bayeux</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/news-from-bayeux</guid>
		<dc:date>2023-07-14T20:53:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Bayeux, Mus&#233;e Baron G&#233;rard</dc:subject>
		<dc:subject>Bayeux Tapestry</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Le Parisien informed us in an article dated 11 July that Nicole Paolini, a resident of Bayeux who died in March at the age of 86 and had no children, had bequeathed assets worth an estimated 2 million euros to the Mus&#233;e Baron G&#233;rard, the municipal museum in Bayeux. The article goes on to say that &#034;Once all the assets have been sold, the money raised should be enough to pay off the loan taken out by the town a few years ago to restore the museum. Lo&#239;c Jamin,&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bayeux-musee-baron-gerard" rel="tag"&gt;Bayeux, Mus&#233;e Baron G&#233;rard&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/tapisserie-de-bayeux" rel="tag"&gt;Bayeux Tapestry&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>The bay horse of Henri IV arrives in Pau</title>
		<link>https://www.latribunedelart.com/the-bay-horse-of-henri-iv-arrives-in-pau</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/the-bay-horse-of-henri-iv-arrives-in-pau</guid>
		<dc:date>2023-05-15T14:43:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;t was undoubtedly one of the most beautiful paintings of the Talabardon &amp; Gautier sales, which we had already spotted on their gallery stand during the 2017 edition of Tefaf New York devoted to old masters (a fair that has now disappeared): the Bay Horse by Fran&#231;ois G&#233;rard&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>A fundraising for Orl&#233;ans</title>
		<link>https://www.latribunedelart.com/a-fundraising-for-orleans</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/a-fundraising-for-orleans</guid>
		<dc:date>2023-03-31T10:07:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Patronage, sponshorship and fundraising campaigns</dc:subject>
		<dc:subject>Orl&#233;ans, Mus&#233;e des Beaux-Arts</dc:subject>
		<dc:subject>Julie Duvidal de Montferrier (1797-1865)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>

		<description>&lt;p&gt;This is a very beautiful painting, in which we see the young Bacchus, leaning on a parapet, his head on his hand, staring at the spectator with malice. There is none of Caravaggio's ambiguity here: the young god, whose features seem to be personified, is a joyful young child delighted with his disguise. A first version painted in 1820 is in a private collection, a little&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;News Items&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/mecenat-et-souscriptions-123" rel="tag"&gt;Patronage, sponshorship and fundraising campaigns&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/orleans-musee-des-beaux-arts" rel="tag"&gt;Orl&#233;ans, Mus&#233;e des Beaux-Arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louise-rose-julie-duvidal-de-montferrier-1797-1865" rel="tag"&gt;Julie Duvidal de Montferrier (1797-1865)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-gerard-1770-1837" rel="tag"&gt;Fran&#231;ois G&#233;rard (1770-1837)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="en">
		<title>Talabardon &amp; Gautier sales at Ader</title>
		<link>https://www.latribunedelart.com/talabardon-gautier-sales-at-ader</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/talabardon-gautier-sales-at-ader</guid>
		<dc:date>2023-03-19T22:51:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>en</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Victor Hugo (1802-1885)</dc:subject>
		<dc:subject>Th&#233;odore Chass&#233;riau (1819-1856)</dc:subject>
		<dc:subject>Louis-L&#233;opold Boilly (1761-1845)</dc:subject>
		<dc:subject>Edgar Degas (1834-1917)</dc:subject>
		<dc:subject>Joachim van Sandrart (1606-1688)</dc:subject>
		<dc:subject>Prosper d'Epinay (1836-1914)</dc:subject>
		<dc:subject>&#201;tienne-Charles Leguay (1762-1846)</dc:subject>
		<dc:subject>Fran&#231;ois G&#233;rard (1770-1837)</dc:subject>
		<dc:subject>Jean-Baptiste Marie Pierre (1714-1789)</dc:subject>
		<dc:subject>Simon Denis (1755-1813)</dc:subject>

		<description>&lt;p&gt;In a first article, we announced that we would review the Talabardon &amp; Gautier sale organised by SVV Ader. The sale will finally take place in two sessions on Tuesday 21 and Thursday 23 March. The works in the first auction, mainly paintings and oils on paper, are currently on display at the H&#244;tel Drouot, while the drawings will be shown on Wednesday 22 March.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;Art Market&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/victor-hugo-1802-1885" rel="tag"&gt;Victor Hugo (1802-1885)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodore-chasseriau-1819-1856" rel="tag"&gt;Th&#233;odore Chass&#233;riau (1819-1856)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-leopold-boilly-1761-1845" rel="tag"&gt;Louis-L&#233;opold Boilly (1761-1845)&lt;/a&gt;, 
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