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	<title>La Tribune de l'Art</title>
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		<title>Tumulte Gaulois. Repr&#233;sentations et r&#233;alit&#233;s</title>
		<link>https://www.latribunedelart.com/tumulte-gaulois-representations-et-realites</link>
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		<dc:date>2014-07-23T09:28:51Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Emmanuel Fremiet (1824-1910)</dc:subject>
		<dc:subject>Th&#233;odore Chass&#233;riau (1819-1856)</dc:subject>
		<dc:subject>Pierre Julien (1731-1804)</dc:subject>
		<dc:subject>Fr&#233;d&#233;ric-Auguste Bartholdi (1834-1904)</dc:subject>
		<dc:subject>Jean-Simon Berth&#233;l&#233;my (1743-1811)</dc:subject>
		<dc:subject>Henri-Paul Motte (1846-1922)</dc:subject>
		<dc:subject> Lionel Royer (1852-1926)</dc:subject>
		<dc:subject>Charles Voillemot (1822-1893)</dc:subject>
		<dc:subject>L&#233;on Bertaux (1827-1915)</dc:subject>
		<dc:subject>Paul-Joseph Jamin (1853-1903)</dc:subject>
		<dc:subject>Fran&#231;ois-Emile Ehrmann (1833-1910)</dc:subject>

		<description>&lt;p&gt;Il a des moustaches tombantes et deux ailes sur son casque, c'est du moins l'image qui nous vient spontan&#233;ment &#224; l'esprit &#224; l'&#233;vocation du Gaulois. Il permet aussi &#224; Goscinny d'&#233;clipser Rimbaud : tout le monde peut r&#233;citer les premi&#232;res lignes d'un album d'Ast&#233;rix, mais les vers de &#171; Mauvais sang &#187; ?&lt;br class='autobr' /&gt;
L'Auvergne, &#171; terre des Arvernes &#187;1 offre un cadre id&#233;al au &#171; tumulte gaulois &#187;, une exposition qui d&#233;cortique tous les clich&#233;s associ&#233;s &#224; &#171; nos anc&#234;tres &#187;. Elle se divise en deux volets et deux mus&#233;es de Clermont Ferrand : le Mus&#233;e d'Art Roger-Quilliot analyse les diff&#233;rentes repr&#233;sentations des Gaulois, passant d'un st&#233;r&#233;otype &#224; un autre de l'Antiquit&#233; au XXe si&#232;cle, tandis que le Mus&#233;e Bargoin confronte ces images avec la r&#233;alit&#233; arch&#233;ologique, en s'appuyant sur l'ouvrage de Ludivine P&#233;choux&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/emmanuel-fremiet-1824-1910" rel="tag"&gt;Emmanuel Fremiet (1824-1910)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodore-chasseriau-1819-1856" rel="tag"&gt;Th&#233;odore Chass&#233;riau (1819-1856)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-julien-1731-1804" rel="tag"&gt;Pierre Julien (1731-1804)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/frederic-auguste-bartholdi-1834-1904" rel="tag"&gt;Fr&#233;d&#233;ric-Auguste Bartholdi (1834-1904)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-simon-berthelemy-1743-1811" rel="tag"&gt;Jean-Simon Berth&#233;l&#233;my (1743-1811)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-paul-motte-1846-1922" rel="tag"&gt;Henri-Paul Motte (1846-1922)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/lionel-royer-1852-1926" rel="tag"&gt; Lionel Royer (1852-1926)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-voillemot-1822-1893" rel="tag"&gt;Charles Voillemot (1822-1893)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/leon-bertaux-1827-1915" rel="tag"&gt;L&#233;on Bertaux (1827-1915)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-joseph-jamin-1853-1903" rel="tag"&gt;Paul-Joseph Jamin (1853-1903)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-emile-ehrmann-1833-1910" rel="tag"&gt;Fran&#231;ois-Emile Ehrmann (1833-1910)&lt;/a&gt;

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		<title>Deux tableaux surprenants acquis par Orsay</title>
		<link>https://www.latribunedelart.com/deux-tableaux-surprenants-acquis-par-orsay</link>
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		<dc:date>2013-07-15T15:18:12Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Paris, Mus&#233;e d'Orsay</dc:subject>
		<dc:subject>Hartford, Wadsworth Atheneum</dc:subject>
		<dc:subject>Henri-Paul Motte (1846-1922)</dc:subject>
		<dc:subject>Henri-Camille Danger (1857-1939)</dc:subject>

		<description>&lt;p&gt;Le Mus&#233;e d'Orsay a acquis, aupr&#232;s de la galerie Vincent L&#233;cuyer qui les avait pr&#233;sent&#233;s tous les deux &#224; la BRAFA 2013 o&#249; nous les avions remarqu&#233;s deux tableaux surprenants, voire d&#233;concertants r&#233;alis&#233;s &#224; l'extr&#234;me fin du XIXe si&#232;cle par des peintres d'histoire fran&#231;ais.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-musee-d-orsay-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60" rel="tag"&gt;Paris, Mus&#233;e d'Orsay&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/hartford-wadsworth-atheneum" rel="tag"&gt;Hartford, Wadsworth Atheneum&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-paul-motte-1846-1922" rel="tag"&gt;Henri-Paul Motte (1846-1922)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-camille-danger-1857-1939" rel="tag"&gt;Henri-Camille Danger (1857-1939)&lt;/a&gt;

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		<title>L'&#233;dition 2013 de la Brafa</title>
		<link>https://www.latribunedelart.com/l-edition-2013-de-la-brafa</link>
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		<dc:date>2013-01-18T22:30:00Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges et Didier Rykner</dc:creator>


		<dc:subject>Bertel Thorvaldsen (1770-1844)</dc:subject>
		<dc:subject> Carlo Dolci (1616-1687)</dc:subject>
		<dc:subject>Rupert Carabin (1862-1932)</dc:subject>
		<dc:subject>Jan van Delen (vers 1640-1703)</dc:subject>
		<dc:subject>Henri-Paul Motte (1846-1922)</dc:subject>
		<dc:subject>Joseph Michel-Ange Pollet (1814-1870)</dc:subject>
		<dc:subject>Nicolas Sageot (1666-1731)</dc:subject>
		<dc:subject>Jacques Dubois (1694&#8211;1763)</dc:subject>
		<dc:subject>BRAFA</dc:subject>

		<description>&lt;p&gt;Dix ans d&#233;j&#224; que la foire des antiquaires de Bruxelles, baptis&#233;e BRAFA depuis 2009, a investi les 14 000 m2 de l'ancien site industriel de Tour et Taxis. Elle est pr&#233;sid&#233;e cette ann&#233;e par Harold t'Kint de Roodenbeke qui succ&#232;de au dynamique Bernard de Leye. 128 exposants participent &#224; cette &#233;dition 2013, un nombre qui varie peu d'une ann&#233;e &#224; l'autre, les organisateurs ne souhaitant pas l'augmenter afin que chaque galerie b&#233;n&#233;ficie d'un espace suffisant pour pr&#233;senter ses &#339;uvres et que la foire garde une taille humaine, une atmosph&#232;re conviviale. Cinquante-trois de ces galeries sont belges, les soixante-quinze autres viennent d'ici et d'ailleurs et surtout de Paris.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/berthel-thorvaldsen-1770-1844" rel="tag"&gt;Bertel Thorvaldsen (1770-1844)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/carlo-dolci-1616-1687" rel="tag"&gt; Carlo Dolci (1616-1687)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/rupert-carabin-1862-1932" rel="tag"&gt;Rupert Carabin (1862-1932)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jan-van-delen-vers-1640-1703" rel="tag"&gt;Jan van Delen (vers 1640-1703)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-paul-motte-1846-1922" rel="tag"&gt;Henri-Paul Motte (1846-1922)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/joseph-michel-ange-pollet-1814-1870" rel="tag"&gt;Joseph Michel-Ange Pollet (1814-1870)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-sageot-1666-1731" rel="tag"&gt;Nicolas Sageot (1666-1731)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-dubois-1694-1763" rel="tag"&gt;Jacques Dubois (1694&#8211;1763)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/brafa-5018" rel="tag"&gt;BRAFA&lt;/a&gt;

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