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	<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>Deuxi&#232;me &#233;dition de Fine Arts et la Biennale, d&#233;sormais FAB</title>
		<link>https://www.latribunedelart.com/deuxieme-edition-de-fine-arts-et-la-biennale-desormais-fab</link>
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		<dc:date>2023-11-22T22:58:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Jusepe de Ribera (1591-1652)</dc:subject>
		<dc:subject>Maurice Est&#232;ve (1904-2001)</dc:subject>
		<dc:subject>Georg Klimt (1867-1931)</dc:subject>
		<dc:subject>Armand-Albert Rateau (1882-1938)</dc:subject>
		<dc:subject>Ludovic-Napol&#233;on Lepic (1839-1889)</dc:subject>
		<dc:subject>Gustav Wertheimer (1847-1902)</dc:subject>
		<dc:subject>Nicolas Fabien van Risambourg (1799-1866)</dc:subject>
		<dc:subject>Antoine-Louis Barye (1795-1875)</dc:subject>
		<dc:subject>Charles Lacoste (1870-1959)</dc:subject>
		<dc:subject>Pierre Subleyras (1699-1749)</dc:subject>
		<dc:subject>Nicolas Mignard (1606-1668)</dc:subject>
		<dc:subject>Pierre II Mignard (1640-1725)</dc:subject>
		<dc:subject>S&#233;bastien Bourdon (1616-1671)</dc:subject>
		<dc:subject>Antoine, Louis and Mathieu Le Nain</dc:subject>
		<dc:subject>Antoine Laurent Dantan (1798-1878)</dc:subject>
		<dc:subject>Jacques-Philippe Lesueur (1757-1830)</dc:subject>
		<dc:subject>Merchant (active in the second half of the 18th-century)</dc:subject>
		<dc:subject>Ubaldo Gandolfi (1728-1781)</dc:subject>
		<dc:subject>Antonio Novelli (1599/1600-1662)</dc:subject>
		<dc:subject>Gervais II Delabarre (1603-1650/53)</dc:subject>
		<dc:subject>FAB (Fine Art - La Biennale)</dc:subject>

		<description>&lt;p&gt;N&#233; l'ann&#233;e derni&#232;re de la fusion Fine Arts Paris et la Biennale, le nouveau Salon FAB s'agrandit donc pour sa deuxi&#232;me &#233;dition avant de conna&#238;tre son expansion ultime avec son installation dans le Grand Palais restaur&#233; au mois de novembre prochain. En attendant, il occupe pour cette &#233;tape interm&#233;diaire, apr&#232;s le Carrousel du Louvre, le Grand Pamais dit &#233;ph&#233;m&#232;re, structure qui vient ruiner la perspective sur l'&#201;cole Militaire&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/jusepe-de-ribera-1591-1652-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890-890" rel="tag"&gt;Jusepe de Ribera (1591-1652)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/maurice-esteve-1904-2001" rel="tag"&gt;Maurice Est&#232;ve (1904-2001)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/georg-klimt-1867-1931" rel="tag"&gt;Georg Klimt (1867-1931)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/armand-albert-rateau-1882-1938" rel="tag"&gt;Armand-Albert Rateau (1882-1938)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ludovic-napoleon-lepic-1839-1889-4198" rel="tag"&gt;Ludovic-Napol&#233;on Lepic (1839-1889)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/gustav-wertheimer-1847-1902" rel="tag"&gt;Gustav Wertheimer (1847-1902)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-fabien-van-risambourg-1799-1866" rel="tag"&gt;Nicolas Fabien van Risambourg (1799-1866)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antoine-louis-barye-1795-1875" rel="tag"&gt;Antoine-Louis Barye (1795-1875)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-lacoste-1870-1959" rel="tag"&gt;Charles Lacoste (1870-1959)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-subleyras-1699-1749" rel="tag"&gt;Pierre Subleyras (1699-1749)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-mignard-1606-1668" rel="tag"&gt;Nicolas Mignard (1606-1668)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-ii-mignard-1640-1725" rel="tag"&gt;Pierre II Mignard (1640-1725)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/sebastien-bourdon-1616-1671" rel="tag"&gt;S&#233;bastien Bourdon (1616-1671)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antoine-louis-et-mathieu-le-nain" rel="tag"&gt;Antoine, Louis and Mathieu Le Nain&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antoine-laurent-dantan-1798-1878" rel="tag"&gt;Antoine Laurent Dantan (1798-1878)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-philippe-lesueur-1757-1830" rel="tag"&gt;Jacques-Philippe Lesueur (1757-1830)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/marchand-actif-dans-la-seconde-moitie-du-xviiie-siecle" rel="tag"&gt;Merchant (active in the second half of the 18th-century)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ubaldo-gandolfi-1728-1781" rel="tag"&gt;Ubaldo Gandolfi (1728-1781)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-novelli-1599-1600-1662" rel="tag"&gt;Antonio Novelli (1599/1600-1662)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/gervais-ii-delabarre-1603-1650-53" rel="tag"&gt;Gervais II Delabarre (1603-1650/53)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/fab-fine-art-la-biennale" rel="tag"&gt;FAB (Fine Art - La Biennale)&lt;/a&gt;

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<item xml:lang="fr">
		<title>Ludovic Napol&#233;on Lepic (1839-1889), le Patron</title>
		<link>https://www.latribunedelart.com/ludovic-napoleon-lepic-1839-1889-le-patron</link>
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		<dc:date>2013-10-21T17:16:12Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Berck-sur-Mer, Mus&#233;e d'Opale-Sud</dc:subject>
		<dc:subject>Ludovic-Napol&#233;on Lepic (1839-1889)</dc:subject>

		<description>&lt;p&gt;&#171; Ami de... &#187;. Certains peintres n'ont pas de chance, qui se voient ainsi rel&#233;gu&#233;s par une histoire de l'art paresseuse au rang d'&#171; ami &#187; d'un artiste plus c&#233;l&#232;bre et parfois plus talentueux. C'est ainsi que Stanislas Lepic est pass&#233; &#224; la post&#233;rit&#233; comme l'ami de Degas. Qualificatif un peu restrictif, qui a au moins le m&#233;rite de situer le peintre dans le milieu des peintres impressionnistes, m&#234;me s'il s'agit une nouvelle fois d'un raccourci un peu simpliste.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/berck-sur-mer-musee-d-opale-sud" rel="tag"&gt;Berck-sur-Mer, Mus&#233;e d'Opale-Sud&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ludovic-napoleon-lepic-1839-1889-4198" rel="tag"&gt;Ludovic-Napol&#233;on Lepic (1839-1889)&lt;/a&gt;

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<item xml:lang="fr">
		<title>Ludovic-Napol&#233;on Lepic (1839-1889)</title>
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		<dc:date>2013-01-16T11:30:40Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>La Tribune de l'Art</dc:creator>


		<dc:subject>Ludovic-Napol&#233;on Lepic (1839-1889)</dc:subject>

		<description>&lt;p&gt;L'exposition pr&#233;vue au mus&#233;e d'Opale-sud de Berck-sur-Mer sur l'artiste et sa production, principalement les marines r&#233;alis&#233;es dans la r&#233;gion berckoise, ouvrira d&#233;but juin 2013. Auteur d'une th&#232;se sur l'artiste en 1996 et commissaire de cet &#233;v&#233;nement avec Georges Dilly, conservateur de cet &#233;tablissement, j'ach&#232;ve l'ouvrage qui sera publi&#233; &#224; l'occasion de cette manifestation&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/annonces-de-chercheurs" rel="directory"&gt;Annonces de chercheurs&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/ludovic-napoleon-lepic-1839-1889-4198" rel="tag"&gt;Ludovic-Napol&#233;on Lepic (1839-1889)&lt;/a&gt;

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