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	<title>La Tribune de l'Art</title>
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		<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>Plusieurs pr&#233;emptions &#224; la vente Triqueti</title>
		<link>https://www.latribunedelart.com/plusieurs-preemptions-a-la-vente-triqueti</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/plusieurs-preemptions-a-la-vente-triqueti</guid>
		<dc:date>2026-02-12T22:55:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Henri de Triqueti (1803-1874)</dc:subject>
		<dc:subject>Susan Durant (1827-1873)</dc:subject>
		<dc:subject>Orl&#233;ans, Mus&#233;e des Beaux-Arts</dc:subject>
		<dc:subject>Paris, Institut National d'Histoire de l'Art</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Montargis, Mus&#233;e Girodet</dc:subject>
		<dc:subject>Paris, Mus&#233;e des Arts d&#233;coratifs</dc:subject>

		<description>&lt;p&gt;Nous n'avions pas parl&#233; de la vente Triqueti qui avait lieu aujourd'hui &#224; l'h&#244;tel Drouot chez Ader, et dont l'exposition avait lieu les mardi 10 et mercredi 11 f&#233;vrier. Les &#339;uvres, en provenance directe de la famille de l'ariste, &#233;taient jusqu'&#224; aujourd'hui conserv&#233;es au ch&#226;teau du Perthuis, non loin de Montargis&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/henri-de-triqueti-1803-1874" rel="tag"&gt;Henri de Triqueti (1803-1874)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/susan-durant-1827-1873" rel="tag"&gt;Susan Durant (1827-1873)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/orleans-musee-des-beaux-arts" rel="tag"&gt;Orl&#233;ans, Mus&#233;e des Beaux-Arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-inha" rel="tag"&gt;Paris, Institut National d'Histoire de l'Art&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/montargis-musee-girodet" rel="tag"&gt;Montargis, Mus&#233;e Girodet&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-musee-des-arts-decoratifs" rel="tag"&gt;Paris, Mus&#233;e des Arts d&#233;coratifs&lt;/a&gt;

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<item xml:lang="fr">
		<title>Les Tiepolo. Invention et virtuosit&#233; &#224; Venise</title>
		<link>https://www.latribunedelart.com/les-tiepolo-invention-et-virtuosite-a-venise</link>
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		<dc:date>2024-06-19T17:48:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Giovanni Battista Tiepolo (1696-1770)</dc:subject>
		<dc:subject>Giandomenico ou Gian Domenico Tiepolo (1727-1804)</dc:subject>
		<dc:subject>Lorenzo Tiepolo (1736-1776)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>

		<description>&lt;p&gt;L'&#201;cole des beaux-arts de Paris a de la chance : ses savoureux Polichinelles faisant la cuisine sont heureusement plus sages que ceux que Christie's c&#233;dait tout juste deux jours avant l'ouverture de l'exposition Tiepolo, m&#234;me si ce d&#233;licat dessin in&#233;dit ne montrait finalement que la suite logique de l'indigestion de gnocchis chez un des malheureux Polichinelle ayant quelque peu abus&#233; de la f&#234;te.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-tiepolo-1696-1770" rel="tag"&gt;Giovanni Battista Tiepolo (1696-1770)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-domenico-tiepolo-1727-1804" rel="tag"&gt;Giandomenico ou Gian Domenico Tiepolo (1727-1804)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/lorenzo-tiepolo-1736-1776" rel="tag"&gt;Lorenzo Tiepolo (1736-1776)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;

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<item xml:lang="fr">
		<title>Une esquisse de Millet pr&#233;empt&#233;e par l'Ensba</title>
		<link>https://www.latribunedelart.com/une-toile-de-jean-francois-millet-preemptee-par-l-ecole-des-beaux-arts-de-paris</link>
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		<dc:date>2022-07-21T21:25:10Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Julie Demarle</dc:creator>


		<dc:subject>Jean-Fran&#231;ois Millet (1814-1875)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Une esquisse &#224; l'huile de Jean-Fran&#231;ois Millet a rejoint les collections de l'&#201;cole des beaux-arts de Paris. Pr&#233;empt&#233;e lors de la vente Tajan du 22 juin dernier apr&#232;s qu'elle fut adjug&#233;e 16 000 euros marteau, elle rejoint une petite vingtaine de dessins de l'artiste d&#233;j&#224; conserv&#233; dans les collections, bel ensemble de paysages ponctu&#233; de quelques &#233;tudes acad&#233;miques.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/jean-francois-millet-1814-1875" rel="tag"&gt;Jean-Fran&#231;ois Millet (1814-1875)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

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<item xml:lang="fr">
		<title>Le partage d'une passion pour le dessin</title>
		<link>https://www.latribunedelart.com/le-partage-d-une-passion-pour-le-dessin</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-partage-d-une-passion-pour-le-dessin</guid>
		<dc:date>2022-04-14T19:42:11Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Simone Peterzano (1535-1599)</dc:subject>
		<dc:subject>Andrea Lilio ou Lilli (vers 1565-apr&#232;s 1635)</dc:subject>
		<dc:subject>Felice Giani (1758-1823)</dc:subject>
		<dc:subject>Antoon Sallaert (1594-1650)</dc:subject>
		<dc:subject>Carl Philip Fohr (1795-1818)</dc:subject>
		<dc:subject>Charles-Antoine Coypel (1694-1752)</dc:subject>
		<dc:subject>Daniel Marot fils (1695-1769)</dc:subject>
		<dc:subject>Charles-Joseph Natoire (1700-1777)</dc:subject>
		<dc:subject>Jean-Simon Berth&#233;l&#233;my (1743-1811)</dc:subject>
		<dc:subject> Pierre-Henri de Valenciennes (1750-1819)</dc:subject>
		<dc:subject>Thomas Couture (1815-1879)</dc:subject>
		<dc:subject>Odilon Redon (1840-1916)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>

		<description>&lt;p&gt;Les visiteurs de l'&#233;dition 2017 du Salon du Dessin se souviennent tr&#232;s certainement de la splendide T&#234;te d'enfant regardant avec effroi de Jean-Baptiste Greuze, pr&#233;cieuse &#233;tude pr&#233;paratoire pour Le Fils puni du Salon de 1778, conserv&#233; au Louvre. Acquise en 2013 par l'association Le Cabinet des amateurs de dessins de l'&#201;cole des Beaux-Arts, la feuille ornait la couverture du catalogue de cet accrochage d'une quarantaine d'&#339;uvres qui ne dura h&#233;las que le temps de la foire au Palais Brongniart.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/simone-peterzano-1535-1599" rel="tag"&gt;Simone Peterzano (1535-1599)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/andrea-lilli-vers-1565-apres-1635" rel="tag"&gt;Andrea Lilio ou Lilli (vers 1565-apr&#232;s 1635)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/felice-giani-1758-1823" rel="tag"&gt;Felice Giani (1758-1823)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antoon-sallaert-vers-1535-1599" rel="tag"&gt;Antoon Sallaert (1594-1650)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/carl-philip-fohr-1795-1818" rel="tag"&gt;Carl Philip Fohr (1795-1818)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-coypel-1694-1752" rel="tag"&gt;Charles-Antoine Coypel (1694-1752)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/daniel-marot-fils-1695-1769" rel="tag"&gt;Daniel Marot fils (1695-1769)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/charles-joseph-natoire-1700-1777" rel="tag"&gt;Charles-Joseph Natoire (1700-1777)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-simon-berthelemy-1743-1811" rel="tag"&gt;Jean-Simon Berth&#233;l&#233;my (1743-1811)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-henri-de-valenciennes-1750-1819" rel="tag"&gt; Pierre-Henri de Valenciennes (1750-1819)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/thomas-couture-1815-1879" rel="tag"&gt;Thomas Couture (1815-1879)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/odilon-redon-1840-1916" rel="tag"&gt;Odilon Redon (1840-1916)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;

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		<title>Le Baroque &#224; Rome</title>
		<link>https://www.latribunedelart.com/le-baroque-a-rome</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-baroque-a-rome</guid>
		<dc:date>2022-04-07T20:26:29Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Giuseppe Cesari dit le Cavalier d'Arpin (1568-1640)</dc:subject>
		<dc:subject>Pierre de Cortone (1596-1669)</dc:subject>
		<dc:subject>Alessandro Algardi (1598-1654)</dc:subject>
		<dc:subject>Gian Lorenzo Bernini, dit le Bernin (1598-1680)</dc:subject>
		<dc:subject>Pier Francesco Mola (1612-1666)</dc:subject>
		<dc:subject>Salvator Rosa (1615-1673)</dc:subject>
		<dc:subject>Ciro Ferri (1633-1689)</dc:subject>
		<dc:subject>Giovanni Battista Beinaschi (1636 &#8211;1688)</dc:subject>
		<dc:subject>Ludovico Gimignani (1643-1697)</dc:subject>
		<dc:subject>Giuseppe Passeri (1654-1714)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Priv&#233;s du Salon du Dessin et de sa myriade d'&#233;v&#232;nements, repouss&#233;s au mois de mai, les amateurs de jolies feuilles auraient pu se sentir d&#233;s&#339;uvr&#233;s alors que la capitale bruisse ordinairement de mille expositions dans ses mus&#233;es, ses galeries et ses salles des ventes.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giuseppe-cesari-dit-le-cavalier-d-arpin-1568-1640" rel="tag"&gt;Giuseppe Cesari dit le Cavalier d'Arpin (1568-1640)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-de-cortone-1596-1669" rel="tag"&gt;Pierre de Cortone (1596-1669)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-algardi-1598-1654" rel="tag"&gt;Alessandro Algardi (1598-1654)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/gian-lorenzo-bernini-dit-le-bernin-1598-1680" rel="tag"&gt;Gian Lorenzo Bernini, dit le Bernin (1598-1680)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pier-francesco-mola-1612-1666" rel="tag"&gt;Pier Francesco Mola (1612-1666)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/salvator-rosa-1615-1673" rel="tag"&gt;Salvator Rosa (1615-1673)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ciro-ferri-1633-1689" rel="tag"&gt;Ciro Ferri (1633-1689)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-beinaschi-1636-1688-3569" rel="tag"&gt;Giovanni Battista Beinaschi (1636 &#8211;1688)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ludovico-gimignani-1643-1697" rel="tag"&gt;Ludovico Gimignani (1643-1697)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-passeri-1654-1714" rel="tag"&gt;Giuseppe Passeri (1654-1714)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Privatisation aux Beaux-Arts : un camion d&#233;truit une architecture de Duban</title>
		<link>https://www.latribunedelart.com/privatisation-aux-beaux-arts-un-camion-detruit-une-architecture-de-duban</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/privatisation-aux-beaux-arts-un-camion-detruit-une-architecture-de-duban</guid>
		<dc:date>2021-12-07T22:03:56Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>

		<description>&lt;p&gt;Duban n'a d&#233;cid&#233;ment pas de chance &#224; l'&#201;cole des Beaux-Arts. L'arc de Gaillon, h&#233;ritage de Lenoir qu'il avait tenu &#224; conserver lors de son intervention sous la Monarchie de Juillet, et qui r&#233;pondait parfaitement &#224; la fa&#231;ade du pavillon des &#201;tudes a &#233;t&#233; d&#233;mont&#233; en 1980 pour &#234;tre renvoy&#233; &#224; Gaillon o&#249; il n'a plus grand sens.&lt;br class='autobr' /&gt;
Alors que le Pavillon des &#233;tudes &#233;tait privatis&#233; au profit de la soci&#233;t&#233; Herm&#232;s, un camion a percut&#233; l'un des soubassements qui se trouvaient de part et d'autres de ceux qui supportaient l'arc de Gaillon, le d&#233;truisant &#224; peu pr&#232;s compl&#232;tement : les d&#233;bris gisent d&#233;sormais dans la cour comme on peut le voir sur les photos que nous avons pu prendre aujourd'hui.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Le dessin romantique, de G&#233;ricault &#224; Victor Hugo</title>
		<link>https://www.latribunedelart.com/le-dessin-romantique-de-gericault-a-victor-hugo</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-dessin-romantique-de-gericault-a-victor-hugo</guid>
		<dc:date>2021-05-31T19:03:32Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Eug&#232;ne Isabey (1803-1886)</dc:subject>
		<dc:subject>Paul Huet (1803-1869)</dc:subject>
		<dc:subject>Paul Delaroche (1797-1856)</dc:subject>
		<dc:subject>Th&#233;odore Chass&#233;riau (1819-1856)</dc:subject>
		<dc:subject>Prosper Marilhat (1811-1847)</dc:subject>
		<dc:subject>L&#233;on Cogniet (1794-1880)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Augustin-Alexandre Thierriat (1789-1870)</dc:subject>

		<description>
&lt;p&gt;Le visiteur qui p&#233;n&#232;tre dans l'espace feutr&#233; du Cabinet Jean Bonna de l'&#201;cole des beaux-arts de Paris (ill. 1) est presque imm&#233;diatement happ&#233; vers le grandiose dessin de Victor Hugo, r&#233;cemment acquis par l'institution aux c&#244;t&#233;s d'une belle moisson de feuilles romantiques sur laquelle nous nous &#233;tions d&#233;j&#224; attard&#233;s (voir l'article) alors qu'il &#233;tait h&#233;las possible que l'exposition n'ouvre jamais ses portes. Nos craintes ont fort heureusement &#233;t&#233; dissip&#233;es, celle-ci se voyant m&#234;me prolong&#233;e (&#8230;)&lt;/p&gt;


-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/eugene-isabey-1803-1886" rel="tag"&gt;Eug&#232;ne Isabey (1803-1886)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-huet-1803-1869" rel="tag"&gt;Paul Huet (1803-1869)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-delaroche-1797-1856" rel="tag"&gt;Paul Delaroche (1797-1856)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodore-chasseriau-1819-1856" rel="tag"&gt;Th&#233;odore Chass&#233;riau (1819-1856)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/prosper-marilhat-1811-1847" rel="tag"&gt;Prosper Marilhat (1811-1847)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/leon-cogniet-1794-1880" rel="tag"&gt;L&#233;on Cogniet (1794-1880)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/augustin-alexandre-thierriat-1789-1870" rel="tag"&gt;Augustin-Alexandre Thierriat (1789-1870)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Plusieurs nouveaux dessins pour les Beaux-Arts de Paris</title>
		<link>https://www.latribunedelart.com/plusieurs-nouveaux-dessins-pour-les-beaux-arts-de-paris</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/plusieurs-nouveaux-dessins-pour-les-beaux-arts-de-paris</guid>
		<dc:date>2021-04-29T21:21:12Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Eug&#232;ne Delacroix (1798-1863)</dc:subject>
		<dc:subject>Ary Scheffer (1795-1848)</dc:subject>
		<dc:subject>Victor Hugo (1802-1885)</dc:subject>
		<dc:subject>C&#233;lestin Nanteuil (1813-1873)</dc:subject>
		<dc:subject>Johan-Christian Dahl (1788-1857)</dc:subject>
		<dc:subject>Carl Engel von der Rabenau (1817-1870)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Valentine Delessert (1806-1894)</dc:subject>

		<description>&lt;p&gt;S'il va falloir s'armer de patience avant de pouvoir visiter librement l'exposition de dessins romantiques du Cabinet Jean Bonna, dont nous reparlerons une fois qu'elle aura pu ouvrir ses portes au grand public et non plus seulement aux &#233;tudiants, professeurs et agents des Beaux-Arts de Paris, le salutaire dynamisme dont fait preuve l'&#233;quipe de la conservation n'est plus &#224; d&#233;montrer. Pr&#232;s d'un an apr&#232;s avoir annonc&#233; l'acquisition d'un magnifique dessin de Jean-Honor&#233; Fragonard, voici venu le temps de mettre &#224; l'honneur le XIXe si&#232;cle &#224; travers plusieurs feuilles r&#233;cemment entr&#233;es dans les collections de l'&#201;cole des beaux-arts de Paris.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/eugene-delacroix-1798-1863" rel="tag"&gt;Eug&#232;ne Delacroix (1798-1863)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ary-scheffer-1795-1848-353-353-353-353" rel="tag"&gt;Ary Scheffer (1795-1848)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/victor-hugo-1802-1885" rel="tag"&gt;Victor Hugo (1802-1885)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/celestin-nanteuil-1813-1873" rel="tag"&gt;C&#233;lestin Nanteuil (1813-1873)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/johan-christian-dahl-1788-1857" rel="tag"&gt;Johan-Christian Dahl (1788-1857)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/carl-engel-von-der-rabenau-1817-1870" rel="tag"&gt;Carl Engel von der Rabenau (1817-1870)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/valentine-delessert-1806-1894" rel="tag"&gt;Valentine Delessert (1806-1894)&lt;/a&gt;

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	</item>
<item xml:lang="fr">
		<title>Le Bal des Quat'z'Arts gagne le Mus&#233;e Carnavalet</title>
		<link>https://www.latribunedelart.com/le-bal-des-quat-z-arts-gagne-le-musee-carnavalet</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-bal-des-quat-z-arts-gagne-le-musee-carnavalet</guid>
		<dc:date>2020-10-08T17:05:29Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Paris, Mus&#233;e Carnavalet</dc:subject>
		<dc:subject>Louis Abel-Truchet (1857-1918)</dc:subject>
		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>

		<description>&lt;p&gt;C'est un grand tableau chatoyant qui aurait du enflammer les ench&#232;res le 12 juin dernier chez R&amp;C &#224; Marseille mais qui a finalement fait l'objet d'une vente de gr&#233; &#224; gr&#233; : le Mus&#233;e Carnavalet a fait l'acquisition - pour 47 000&#8364; sans les frais - du Bal des Quat'z'Arts de Louis Abel-Truchet.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-musee-carnavalet" rel="tag"&gt;Paris, Mus&#233;e Carnavalet&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-abel-truchet-1857-1918" rel="tag"&gt;Louis Abel-Truchet (1857-1918)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Le dessin &#224; Bologne</title>
		<link>https://www.latribunedelart.com/le-dessin-a-bologne</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-dessin-a-bologne</guid>
		<dc:date>2020-08-11T21:28:35Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Alexandre Lafore</dc:creator>


		<dc:subject>Paris, Ecole nationale sup&#233;rieure des beaux-arts</dc:subject>
		<dc:subject>Annibale Carracci (1560-1609)</dc:subject>
		<dc:subject>Giovanni Francesco Barbieri, dit Guercino ou le Guerchin (1591-1666)</dc:subject>
		<dc:subject>Elisabetta Sirani (1638-1665)</dc:subject>
		<dc:subject>Domenico Maria Canuti (1626-1684)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Ludovico Carracci (1555-1619)</dc:subject>
		<dc:subject>Orazio Samacchini (1532-1577)</dc:subject>
		<dc:subject>Crise du coronavirus (Covid-19)</dc:subject>

		<description>&lt;p&gt;Malheur aux retardataires ! Il fallait se rendre d&#232;s son inauguration &#224; l'exposition Le dessin &#224; Bologne, ouverte pendant plus d'un mois et demi mais brutalement ferm&#233;e en raison de la crise sanitaire : alors que beaucoup esp&#233;raient une seconde chance avec le d&#233;confinement, celle-ci a h&#233;las &#233;t&#233; impitoyablement d&#233;mont&#233;e &#224; la fin du mois de mai, les feuilles des Carrache, de Guercino&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/paris-ecole-nationale-superieure-des-beaux-arts" rel="tag"&gt;Paris, Ecole nationale sup&#233;rieure des beaux-arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/annibale-carracci-1560-1609" rel="tag"&gt;Annibale Carracci (1560-1609)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-barbieri-dit-le-guerchin-1591-1666" rel="tag"&gt;Giovanni Francesco Barbieri, dit Guercino ou le Guerchin (1591-1666)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/elisabetta-sirani-1638-1665" rel="tag"&gt;Elisabetta Sirani (1638-1665)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/domenico-maria-canuti-1626-1684" rel="tag"&gt;Domenico Maria Canuti (1626-1684)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ludovico-carracci-1555-1619" rel="tag"&gt;Ludovico Carracci (1555-1619)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/orazio-samacchini-1532-1577" rel="tag"&gt;Orazio Samacchini (1532-1577)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/crise-du-coronavirus-covid-19" rel="tag"&gt;Crise du coronavirus (Covid-19)&lt;/a&gt;

		</description>



		
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