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	<title>La Tribune de l'Art</title>
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		<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>L'&#233;dition 2024 de la Tefaf</title>
		<link>https://www.latribunedelart.com/l-edition-2024-de-la-tefaf</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/l-edition-2024-de-la-tefaf</guid>
		<dc:date>2024-03-09T17:53:16Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Giovanni Pisano (vers 1248-avant 1319)</dc:subject>
		<dc:subject>Foire de Maastricht (TEFAF)</dc:subject>
		<dc:subject>Jean Dunand (1877-1942)</dc:subject>
		<dc:subject>Anne-Louis Girodet-Trioson (1767-1824)</dc:subject>
		<dc:subject>Giovanni Francesco Barbieri, dit Guercino ou le Guerchin (1591-1666)</dc:subject>
		<dc:subject>Diana Di Rosa (1602-1643)</dc:subject>
		<dc:subject>Bartolomeo Cavarozzi (1587-1625)</dc:subject>
		<dc:subject>Pieter Lastman (vers 1583-1633)</dc:subject>
		<dc:subject>Louis Cretey (1630/1635 ou 1637-apr&#232;s 1702)</dc:subject>
		<dc:subject>Ciro Ferri (1633-1689)</dc:subject>
		<dc:subject>Antonio Tempesta (1555-1630)</dc:subject>
		<dc:subject>Giacomo Colombo (1663-1731)</dc:subject>
		<dc:subject>Crist&#243;bal Ramos (1725-1799)</dc:subject>
		<dc:subject>Giuseppe Sanmartino (vers 1720-1793)</dc:subject>
		<dc:subject>Louis Petitot (1794-1862)</dc:subject>
		<dc:subject>Josef Anton Kuriger, called Couriguier (1750-1834)</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Pierre Subleyras (1699-1749)</dc:subject>
		<dc:subject>Andre&#239; Nikiforovitch Voronikhine (1759-1814)</dc:subject>
		<dc:subject>Th&#233;ophile Vauchelet (1802-1873)</dc:subject>
		<dc:subject>Louis-Philippe Cr&#233;pin (1772-1851)</dc:subject>
		<dc:subject>Paul Grandhomme (1851-1944)</dc:subject>
		<dc:subject>Gustave Moreau (1826-1898)</dc:subject>

		<description>&lt;p&gt;La Tefaf cette ann&#233;e est &#233;court&#233;e de trois jours par rapport &#224; sa dur&#233;e habituelle : elle se terminera en effet jeudi prochain 14 mars, ce qui laisse moins de temps pour se rendre sur place admirer ce qui reste la plus grande foire d'antiquit&#233;, en tout cas dans notre domaine de l'art ancien.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giovanni-pisano-vers-1248-avant-1319" rel="tag"&gt;Giovanni Pisano (vers 1248-avant 1319)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/foire-de-maastricht-tefaf" rel="tag"&gt;Foire de Maastricht (TEFAF)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-dunand-1877-1942" rel="tag"&gt;Jean Dunand (1877-1942)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anne-louis-girodet-trioson-1767-1824" rel="tag"&gt;Anne-Louis Girodet-Trioson (1767-1824)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-francesco-barbieri-dit-le-guerchin-1591-1666" rel="tag"&gt;Giovanni Francesco Barbieri, dit Guercino ou le Guerchin (1591-1666)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/diana-di-rosa-1602-1643" rel="tag"&gt;Diana Di Rosa (1602-1643)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bartolomeo-cavarozzi-1587-1625" rel="tag"&gt;Bartolomeo Cavarozzi (1587-1625)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pieter-lastman-vers-1583-1633" rel="tag"&gt;Pieter Lastman (vers 1583-1633)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-cretey-1645-apres-1690" rel="tag"&gt;Louis Cretey (1630/1635 ou 1637-apr&#232;s 1702)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/ciro-ferri-1633-1689" rel="tag"&gt;Ciro Ferri (1633-1689)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-tempesta-1555-1630" rel="tag"&gt;Antonio Tempesta (1555-1630)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giacomo-colombo-1663-1731" rel="tag"&gt;Giacomo Colombo (1663-1731)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/cristobal-ramos-1725-1799" rel="tag"&gt;Crist&#243;bal Ramos (1725-1799)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-sanmartino-vers-1720-1793" rel="tag"&gt;Giuseppe Sanmartino (vers 1720-1793)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-petitot-1794-1862" rel="tag"&gt;Louis Petitot (1794-1862)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/josef-anton-kuriger-dit-couriguier-1750-1834" rel="tag"&gt;Josef Anton Kuriger, called Couriguier (1750-1834)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-subleyras-1699-1749" rel="tag"&gt;Pierre Subleyras (1699-1749)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/andrei-nikiforovitch-voronikhine-1759-1814" rel="tag"&gt;Andre&#239; Nikiforovitch Voronikhine (1759-1814)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theophile-vauchelet-1802-1873" rel="tag"&gt;Th&#233;ophile Vauchelet (1802-1873)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-philippe-crepin-1772-1851" rel="tag"&gt;Louis-Philippe Cr&#233;pin (1772-1851)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-grandhomme-1851-1944" rel="tag"&gt;Paul Grandhomme (1851-1944)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/gustave-moreau-1826-1898" rel="tag"&gt;Gustave Moreau (1826-1898)&lt;/a&gt;

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<item xml:lang="fr">
		<title>Le Getty ach&#232;te un portrait d'Anton Rapha&#235;l Mengs</title>
		<link>https://www.latribunedelart.com/le-getty-achete-un-portrait-d-anton-raphael-mengs</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-getty-achete-un-portrait-d-anton-raphael-mengs</guid>
		<dc:date>2023-12-26T15:53:30Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Los Angeles, The J. Paul Getty Museum</dc:subject>

		<description>&lt;p&gt;Le Getty Museum s'&#233;tait enrichi r&#233;cemment d'un portrait peint par Anton Rapha&#235;l Mengs, le premier tableau de cet artiste &#224; entrer dans ce mus&#233;e qui n'en conservait jusqu'&#224; pr&#233;sent qu'un dessin et un pastel. Il s'agissait alors d'un portrait amical, peint &#224; Rome, offert par la galerie Fabrizio Moretti.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/los-angeles-the-j-paul-getty-museum" rel="tag"&gt;Los Angeles, The J. Paul Getty Museum&lt;/a&gt;

		</description>



		
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<item xml:lang="fr">
		<title>La Tefaf 2023, un grand cru</title>
		<link>https://www.latribunedelart.com/la-tefaf-2023-un-grand-cru</link>
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		<dc:date>2023-03-12T21:29:14Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Juan Bautista Ma&#237;no (1581-1649)</dc:subject>
		<dc:subject>Diana Di Rosa (1602-1643)</dc:subject>
		<dc:subject>Bartolomeo Manfredi (1582-1622)</dc:subject>
		<dc:subject>Pensionante del Saraceni (actif vers 1610-1620)</dc:subject>
		<dc:subject>Jean-Henri Riesener (1734-1806)</dc:subject>
		<dc:subject>Fran&#231;ois Boucher (1703-1770)</dc:subject>
		<dc:subject>Giovanni Battista Salvi, called il Sassoferrato (1609-1685)</dc:subject>
		<dc:subject>Alessandro Magnasco (1667-1749)</dc:subject>
		<dc:subject>Louis Janmot (1814-1892)</dc:subject>
		<dc:subject>Luc-Olivier Merson (1846-1920)</dc:subject>
		<dc:subject>Foire de Maastricht (TEFAF)</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Vincenzo Danti (1530-1576)</dc:subject>
		<dc:subject>Antonio Canova (1757-1822)</dc:subject>
		<dc:subject>Massiliano Soldani Benzi (1656-1740)</dc:subject>
		<dc:subject>Alonso Cano (1601-1667)</dc:subject>
		<dc:subject>Philippe de Champaigne (1602-1674)</dc:subject>
		<dc:subject>Louis II de Boullogne (1654-1733)</dc:subject>
		<dc:subject>Jacques Sablet (1749-1803)</dc:subject>
		<dc:subject>Paul Ranson (1861-1909)</dc:subject>
		<dc:subject>Augustin Jean Moreau, dit Moreau-Vauthier (1831-1893)</dc:subject>
		<dc:subject>Joseph Baumhauer (?-1772)</dc:subject>
		<dc:subject>Philippe Caffi&#233;ri (1714-1774)</dc:subject>
		<dc:subject>Pierre Macret (1727-apr&#232;s 1796)</dc:subject>
		<dc:subject>Louis-Joseph Le Lorrain (1715-1759)</dc:subject>
		<dc:subject>Giuseppe Viner (1875-1925)</dc:subject>

		<description>&lt;p&gt;En 2020, la foire fut &#233;court&#233;e pour cause de pand&#233;mie. En 2021, elle &#233;tait annul&#233;e pour la m&#234;me raison. En 2022, elle avait eu lieu en juin dans une forme un peu r&#233;duite.&lt;br class='autobr' /&gt;
2023 est donc l'ann&#233;e o&#249; la Tefaf revient &#224; ses dates classiques et &#224; sa taille habituelle. Ce retour &#224; la normale va de paire avec une ann&#233;e exceptionnelle, o&#249; les chefs-d'&#339;uvre sont comme d'habitude, et peut-&#234;tre plus encore, extr&#234;mement nombreux, et avec une fr&#233;quentation haut de gamme. Les conservateur de mus&#233;es s'y pressaient, notamment ceux venus d'outre-atlantique dont certains revenaient &#224; la Tefaf parfois pour la premi&#232;re fois depuis 2019.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/juan-bautista-maino-1581-1649-1759" rel="tag"&gt;Juan Bautista Ma&#237;no (1581-1649)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/diana-di-rosa-1602-1643" rel="tag"&gt;Diana Di Rosa (1602-1643)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bartolomeo-manfredi-1582-1622" rel="tag"&gt;Bartolomeo Manfredi (1582-1622)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pensionnaire-de-saraceni" rel="tag"&gt;Pensionante del Saraceni (actif vers 1610-1620)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-henri-riesener-1734-1806" rel="tag"&gt;Jean-Henri Riesener (1734-1806)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-boucher-1703-1770" rel="tag"&gt;Fran&#231;ois Boucher (1703-1770)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-battista-salvi-dit-il-sassoferrato-1609-1685" rel="tag"&gt;Giovanni Battista Salvi, called il Sassoferrato (1609-1685)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alessandro-magnasco-1667-1749" rel="tag"&gt;Alessandro Magnasco (1667-1749)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-janmot-1814-1892" rel="tag"&gt;Louis Janmot (1814-1892)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/luc-olivier-merson-1846-1920" rel="tag"&gt;Luc-Olivier Merson (1846-1920)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/foire-de-maastricht-tefaf" rel="tag"&gt;Foire de Maastricht (TEFAF)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/vincenzo-danti-1530-1576" rel="tag"&gt;Vincenzo Danti (1530-1576)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-canova-1757-1822" rel="tag"&gt;Antonio Canova (1757-1822)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/massiliano-soldani-benzi-1656-1740" rel="tag"&gt;Massiliano Soldani Benzi (1656-1740)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alonso-cano-1601-1667" rel="tag"&gt;Alonso Cano (1601-1667)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/philippe-de-champaigne-1602-1674" rel="tag"&gt;Philippe de Champaigne (1602-1674)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-ii-de-boullogne-1654-1733" rel="tag"&gt;Louis II de Boullogne (1654-1733)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-sablet-1749-1803" rel="tag"&gt;Jacques Sablet (1749-1803)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paul-ranson-1861-1909-2218" rel="tag"&gt;Paul Ranson (1861-1909)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/augustin-jean-moreau-dit-moreau-vauthier-1831-1893" rel="tag"&gt;Augustin Jean Moreau, dit Moreau-Vauthier (1831-1893)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/joseph-baumhauer-1772" rel="tag"&gt;Joseph Baumhauer (?-1772)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/philippe-caffieri-1714-1774" rel="tag"&gt;Philippe Caffi&#233;ri (1714-1774)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pierre-macret-1727-apres-1796" rel="tag"&gt;Pierre Macret (1727-apr&#232;s 1796)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-joseph-le-lorrain-1715-1759" rel="tag"&gt;Louis-Joseph Le Lorrain (1715-1759)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giuseppe-viner-1875-1925" rel="tag"&gt;Giuseppe Viner (1875-1925)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Paris : le march&#233; de l'art d&#233;confin&#233; (3)</title>
		<link>https://www.latribunedelart.com/paris-le-marche-de-l-art-deconfine-3</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/paris-le-marche-de-l-art-deconfine-3</guid>
		<dc:date>2020-06-13T11:34:46Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Bernardo Strozzi (1581-1644)</dc:subject>
		<dc:subject>Jean-Fran&#231;ois Millet (1814-1875)</dc:subject>
		<dc:subject>Jules Dalou (1838-1902)</dc:subject>
		<dc:subject>Alfred Stevens (1823-1906)</dc:subject>
		<dc:subject>Th&#233;odore Gudin (1802-1880)</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Henri Lehmann (1814-1882)</dc:subject>

		<description>&lt;p&gt;La vente Artcurial pr&#233;vue initialement le 25 mars, et annul&#233;e en raison de l'&#233;pid&#233;mie de Covid-19, aura finalement lieu le mardi 16 juin, ce qui donne un peu plus d'un week-end disponible pour aller voir les &#339;uvres qui seront dispers&#233;es ce jour. Le catalogue (les catalogues m&#234;me puisque les dessins sont s&#233;par&#233;s des tableaux et sculptures) en est particuli&#232;rement riche.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/marche-de-l-art" rel="directory"&gt;March&#233; de l'art&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/bernardo-strozzi-1581-1644" rel="tag"&gt;Bernardo Strozzi (1581-1644)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-francois-millet-1814-1875" rel="tag"&gt;Jean-Fran&#231;ois Millet (1814-1875)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jules-dalou-1838-1902" rel="tag"&gt;Jules Dalou (1838-1902)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alfred-stevens-1823-1906" rel="tag"&gt;Alfred Stevens (1823-1906)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodore-gudin-1802-1880" rel="tag"&gt;Th&#233;odore Gudin (1802-1880)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/henri-lehmann-1814-1882" rel="tag"&gt;Henri Lehmann (1814-1882)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Un portrait de Mengs pour l'Ashmolean</title>
		<link>https://www.latribunedelart.com/un-portrait-de-mengs-pour-l-ashmolean</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/un-portrait-de-mengs-pour-l-ashmolean</guid>
		<dc:date>2020-05-26T20:00:12Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Oxford, Ashmolean Museum</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Anton Rapha&#235;l Mengs peignit beaucoup de portraits de commande. Mais il repr&#233;senta aussi ses amis dans des portraits plus naturels pour lesquels il attacha moins d'attention &#224; la description du v&#234;tement qu'&#224; l'expression du visage, c'est le cas du portrait de Giuseppe Franch&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/oxford-ashmolean-museum" rel="tag"&gt;Oxford, Ashmolean Museum&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Le Getty re&#231;oit un portrait de Mengs</title>
		<link>https://www.latribunedelart.com/le-getty-recoit-un-portrait-de-mengs</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/le-getty-recoit-un-portrait-de-mengs</guid>
		<dc:date>2020-01-21T19:32:07Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Los Angeles, The J. Paul Getty Museum</dc:subject>

		<description>&lt;p&gt;&#171; Pendant le peu de temps que je restai &#224; Florence, il peignit mon portrait dont son amiti&#233; pour moi lui fit faire un chef-d'&#339;uvre de l'art &#187;. Dans ce compliment qu'il destine au peintre, le mod&#232;le ne s'oublie pas lui-m&#234;me. Le portrait de Jos&#233; Nicol&#225;s de Azara peint par Anton Rapha&#235;l Mengs a &#233;t&#233; r&#233;cemment donn&#233; au Getty par la galerie Fabrizio Moretti en l'honneur de Davide Gasparotto, conservateur des peintures&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/los-angeles-the-j-paul-getty-museum" rel="tag"&gt;Los Angeles, The J. Paul Getty Museum&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>La donation Algaza Villamil au mus&#233;e du Prado</title>
		<link>https://www.latribunedelart.com/la-donation-algaza-villamil-au-musee-du-prado</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/la-donation-algaza-villamil-au-musee-du-prado</guid>
		<dc:date>2017-04-06T20:08:19Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Michel de Piles</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Jacopo Ligozzi (vers 1547-1627)</dc:subject>
		<dc:subject>Madrid, Museo Nacional del Prado</dc:subject>
		<dc:subject>Antonio del Castillo y Saavedra (1603-1668)</dc:subject>
		<dc:subject>Juan S&#225;nchez Cot&#225;n (1560-1627)</dc:subject>
		<dc:subject>Francisco de Herrera le Vieux (1576-1654)</dc:subject>
		<dc:subject>Eugenio Lucas Velazquez (1817-1870)</dc:subject>

		<description>&lt;p&gt;Il y a trente ans, la jeune d&#233;mocratie espagnole sauvait le Portrait de la marquise de Santa Cruz de Goya, menac&#233; d'&#234;tre export&#233;, et obtenait dans la foul&#233;e le transfert de la collection Thyssen de Lugano &#224; Madrid. Le signal &#233;tait donn&#233; : ce pays aimait ses mus&#233;es et les collectionneurs. Trente ans, c'est ce qu'il faut pour b&#226;tir des collections importantes, r&#233;unir des ensembles coh&#233;rents, dans l'art ancien, patrimonial, comme pour les artistes contemporains. Trois d&#233;cennies plus tard, les mus&#233;es espagnols, et particuli&#232;rement le Prado, retirent les fruits de l'&#233;lan politique donn&#233; &#224; cette &#233;poque. Rappelons rapidement les collections qui y sont entr&#233;es r&#233;cemment&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacopo-ligozzi-1550-1627" rel="tag"&gt;Jacopo Ligozzi (vers 1547-1627)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/madrid-museo-nacional-del-prado" rel="tag"&gt;Madrid, Museo Nacional del Prado&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-del-castillo-1616-1668" rel="tag"&gt;Antonio del Castillo y Saavedra (1603-1668)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/juan-sanchez-cotan-1560-1627" rel="tag"&gt;Juan S&#225;nchez Cot&#225;n (1560-1627)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francisco-de-herrera-le-vieux-1576-1654" rel="tag"&gt;Francisco de Herrera le Vieux (1576-1654)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/eugenio-lucas-velazquez-1817-1870" rel="tag"&gt;Eugenio Lucas Velazquez (1817-1870)&lt;/a&gt;

		</description>



		
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		<enclosure url="https://www.latribunedelart.com/IMG/jpg/mengs.jpg?31065/7eb5e8518bec915ec6096bc1c6ad7476e7a0c223e80bbfbee4f032127db4f39d" length="333135" type="image/jpeg" />
		

	</item>
<item xml:lang="fr">
		<title>Un portrait de Mengs acquis par l'Art Museum de San Diego</title>
		<link>https://www.latribunedelart.com/un-portrait-de-mengs-acquis-par-l-art-museum-de-san-diego</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/un-portrait-de-mengs-acquis-par-l-art-museum-de-san-diego</guid>
		<dc:date>2011-12-08T19:30:27Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>B&#233;n&#233;dicte Bonnet Saint-Georges</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>San Diego, Museum of Art</dc:subject>

		<description>&lt;p&gt;Le mus&#233;e de San Diego vient de d&#233;voiler une nouvelle acquisition : un portrait par Anton Rapha&#235;l Mengs de l'infant don Luis dit aussi Louis-Antoine de Bourbon (1727-1785) repr&#233;sent&#233; de buste, en habit de cour, arborant les ordres de la Toison d'or, du Saint-Esprit et de Saint Janvier. Estim&#233; 150 000 &#224; 200 000 livres, le tableau avait &#233;t&#233; propos&#233; par Christie's &#224; Londres le 6 juillet 2011, mais resta invendu.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/san-diego-art-museum" rel="tag"&gt;San Diego, Museum of Art&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>L'Antiquit&#233; r&#234;v&#233;e. Innovations et r&#233;sistances au XVIIIe si&#232;cle</title>
		<link>https://www.latribunedelart.com/l-antiquite-revee-innovations-et-resistances-au-xviiie-siecle</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/l-antiquite-revee-innovations-et-resistances-au-xviiie-siecle</guid>
		<dc:date>2011-01-13T20:09:55Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Paris, Mus&#233;e du Louvre</dc:subject>
		<dc:subject>Nicolas Poussin (1594-1665)</dc:subject>
		<dc:subject>Johann Heinrich F&#252;ssli, dit Henry Fuseli (1741-1825)</dc:subject>
		<dc:subject>Francisco Goya (1746-1828) </dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Jean-Honor&#233; Fragonard (1732-1806)</dc:subject>
		<dc:subject>Edme Bouchardon (1698-1762)</dc:subject>
		<dc:subject>Jacques Louis David (1748-1825)</dc:subject>
		<dc:subject>Jean-Baptiste Greuze (1725-1805)</dc:subject>
		<dc:subject>John Deare (1759-1798)</dc:subject>
		<dc:subject>Thomas Banks (1735-1805)</dc:subject>
		<dc:subject>Michael Rysbrack (1694 &#8211; 1770)</dc:subject>

		<description>&lt;p&gt;L'influence de l'Antiquit&#233; sur l'art de la seconde moiti&#233; du XVIIIe si&#232;cle, ce que l'on appelle couramment le n&#233;oclassicisme, est un th&#232;me souvent trait&#233;. Cela n'emp&#234;che pas l'exposition du Louvre d'&#234;tre une grande r&#233;ussite, tant sur le plan de la mus&#233;ographie, sobre mais tr&#232;s &#233;l&#233;gante, que sur celui de la qualit&#233; des &#339;uvres r&#233;unies. Elle parvient par ailleurs &#224; apporter un &#233;clairage nouveau sur ce sujet.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/paris-musee-du-louvre-34-34-34-34" rel="tag"&gt;Paris, Mus&#233;e du Louvre&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-poussin-1594-1665" rel="tag"&gt;Nicolas Poussin (1594-1665)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/johann-heinrich-fussli-dit-henry-fuseli-1741-1825" rel="tag"&gt;Johann Heinrich F&#252;ssli, dit Henry Fuseli (1741-1825)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francisco-goya-1746-1828" rel="tag"&gt;Francisco Goya (1746-1828) &lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-honore-fragonard-1732-1806" rel="tag"&gt;Jean-Honor&#233; Fragonard (1732-1806)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/edme-bouchardon-1698-1762" rel="tag"&gt;Edme Bouchardon (1698-1762)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-louis-david-1748-1825-525" rel="tag"&gt;Jacques Louis David (1748-1825)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-baptiste-greuze-1725-1805" rel="tag"&gt;Jean-Baptiste Greuze (1725-1805)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/john-deare-1759-1798" rel="tag"&gt;John Deare (1759-1798)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/thomas-banks-1735-1805" rel="tag"&gt;Thomas Banks (1735-1805)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/michael-rysbrack-1694-1770" rel="tag"&gt;Michael Rysbrack (1694 &#8211; 1770)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Acquisitions r&#233;centes du mus&#233;e de l'Acad&#233;mie de San Fernando &#224; Madrid</title>
		<link>https://www.latribunedelart.com/acquisitions-recentes-du-musee-de-l-academie-de-san-fernando-a-madrid</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/acquisitions-recentes-du-musee-de-l-academie-de-san-fernando-a-madrid</guid>
		<dc:date>2009-03-11T11:00:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Michel de Piles</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Madrid, Real Academia de Bellas Artes de San Fernando</dc:subject>
		<dc:subject>Jacopo Amigoni (1682-1752)</dc:subject>
		<dc:subject>Anton Rapha&#235;l Mengs (1728-1779)</dc:subject>
		<dc:subject>Jos&#233; de Madrazo y Agudo (1781-1858)</dc:subject>
		<dc:subject>Jos&#233; de Gallegos Arnossa (1857 - 1917)</dc:subject>
		<dc:subject>Santiago Rusi&#241;ol y Prats (1682-1752)</dc:subject>
		<dc:subject>Jos&#233; Guti&#233;rrez Solana (1886-1945)</dc:subject>
		<dc:subject>Nicolas Engelbert Cetto (1713-1746)</dc:subject>

		<description>&lt;p&gt;Un peu en retrait des circuits touristiques, le Mus&#233;e de l'Acad&#233;mie des Beaux-Arts poss&#232;de l'une des plus importantes collections de la capitale, compl&#233;mentaire de celles des autres institutions, et d&#233;sormais expos&#233;e sur trois &#233;tages ouverts &#224; la visite.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/madrid-real-academia-de-bellas-artes-de-san-fernando" rel="tag"&gt;Madrid, Real Academia de Bellas Artes de San Fernando&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacopo-amigoni-1682-1752" rel="tag"&gt;Jacopo Amigoni (1682-1752)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-raphael-mengs-1628-1779" rel="tag"&gt;Anton Rapha&#235;l Mengs (1728-1779)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jose-de-madrazo-y-agudo-1781-1858" rel="tag"&gt;Jos&#233; de Madrazo y Agudo (1781-1858)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jose-de-gallegos-arnossa-1857-1917" rel="tag"&gt;Jos&#233; de Gallegos Arnossa (1857 - 1917)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/santiago-rusinol-y-prats-1682-1752" rel="tag"&gt;Santiago Rusi&#241;ol y Prats (1682-1752)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jose-gutierrez-solana-1886-1945" rel="tag"&gt;Jos&#233; Guti&#233;rrez Solana (1886-1945)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/nicolas-engelbert-cetto-actif-dans-la-premiere-moitie-du-xviiie-siecle" rel="tag"&gt;Nicolas Engelbert Cetto (1713-1746)&lt;/a&gt;

		</description>



		
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