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	<title>La Tribune de l'Art</title>
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		<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>Une donation de dessins italiens de l'Ottocento pour Yale</title>
		<link>https://www.latribunedelart.com/une-donation-de-dessins-italiens-de-l-ottocento-pour-yale</link>
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		<dc:date>2023-05-22T20:11:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Ubaldo Gandolfi (1728-1781)</dc:subject>
		<dc:subject>Pompeo Batoni (1708-1787)</dc:subject>
		<dc:subject>Felice Giani (1758-1823)</dc:subject>
		<dc:subject>Luigi Sabatelli (1772-1850)</dc:subject>
		<dc:subject>Andrea Appiani (1754-1817)</dc:subject>
		<dc:subject>Lorenzo Bartolini (1777-1850)</dc:subject>
		<dc:subject>Antonio Canova (1757-1822)</dc:subject>
		<dc:subject>Pelagio Palagi (1775-1860)</dc:subject>
		<dc:subject>Giacinto Gigante (1806-1876)</dc:subject>
		<dc:subject>Bartolomeo Pinelli (1781&#8211;1835)</dc:subject>
		<dc:subject>Luigi Basiletti (1780-1859)</dc:subject>
		<dc:subject>Anton Sminck van Pitloo (1790-1837)</dc:subject>
		<dc:subject>Alberto Pasini (1826-1899)</dc:subject>
		<dc:subject> Vincenzo Camuccini (1771-1844)</dc:subject>
		<dc:subject>Giovanni Boldini (1842-1931)</dc:subject>
		<dc:subject>Giulio Aristide Sartorio (1860-1932)</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>New Haven, Yale University Art Gallery</dc:subject>

		<description>&lt;p&gt;Le mus&#233;e de New Haven vient de b&#233;n&#233;ficier d'une acquisition majeure : toute une collection de dessins italiens du XIXe si&#232;cle a &#233;t&#233; pour une grande part offerte, pour une autre part vendue par un couple de collectionneurs new yorkais Roberta Olson et Alexander Johnson. La premi&#232;re est une historienne de l'art reconnue, sp&#233;cialiste notamment de ce domaine, le second a fait carri&#232;re dans le financement de l'immobilier. L'ensemble fait d&#233;sormais de ce mus&#233;e une &#233;tape obligatoire pour l'&#233;tude de cet Ottocento moins connu que les si&#232;cles pr&#233;c&#233;dents en Italie mais qui n'en compte pas moins de n&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/ubaldo-gandolfi-1728-1781" rel="tag"&gt;Ubaldo Gandolfi (1728-1781)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pompeo-batoni-1708-1787-633" rel="tag"&gt;Pompeo Batoni (1708-1787)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/felice-giani-1758-1823" rel="tag"&gt;Felice Giani (1758-1823)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/luigi-sabatelli-1772-1850" rel="tag"&gt;Luigi Sabatelli (1772-1850)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/andrea-appiani-1754-1817" rel="tag"&gt;Andrea Appiani (1754-1817)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/lorenzo-bartolini-1777-1850" rel="tag"&gt;Lorenzo Bartolini (1777-1850)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/antonio-canova-1757-1822" rel="tag"&gt;Antonio Canova (1757-1822)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/pelagio-palagi-1775-1860" rel="tag"&gt;Pelagio Palagi (1775-1860)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giacinto-gigante-1806-1876" rel="tag"&gt;Giacinto Gigante (1806-1876)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bartolomeo-pinelli-1781-1835" rel="tag"&gt;Bartolomeo Pinelli (1781&#8211;1835)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/luigi-basiletti-1780-1859" rel="tag"&gt;Luigi Basiletti (1780-1859)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/anton-sminck-van-pitloo-1790-1837" rel="tag"&gt;Anton Sminck van Pitloo (1790-1837)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/alberto-pasini-1826-1899" rel="tag"&gt;Alberto Pasini (1826-1899)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/vincenzo-camuccini-1771-1844" rel="tag"&gt; Vincenzo Camuccini (1771-1844)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giovanni-boldini-1842-1931" rel="tag"&gt;Giovanni Boldini (1842-1931)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/giulio-aristide-sartorio-1860-1932" rel="tag"&gt;Giulio Aristide Sartorio (1860-1932)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/new-haven-yale-university-art-gallery" rel="tag"&gt;New Haven, Yale University Art Gallery&lt;/a&gt;

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<item xml:lang="fr">
		<title>Deux toiles de Sartorio acquises par Orsay</title>
		<link>https://www.latribunedelart.com/deux-toiles-de-sartorio-acquises-par-orsay</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/deux-toiles-de-sartorio-acquises-par-orsay</guid>
		<dc:date>2023-05-18T14:37:10Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Julie Demarle</dc:creator>


		<dc:subject>Giulio Aristide Sartorio (1860-1932)</dc:subject>
		<dc:subject>Paris, Mus&#233;e d'Orsay</dc:subject>
		<dc:subject>Acquisitions</dc:subject>

		<description>&lt;p&gt;Artiste romain prot&#233;iforme, &#224; la fois peintre, sculpteur, illustrateur, architecte, photographe, &#233;crivain et cin&#233;aste, Giulio Aristide Sartorio, fut largement ignor&#233; de la critique fran&#231;aise et demeurait un grand absent des collections publiques hexagonales. Le Mus&#233;e d'Orsay y a rem&#233;di&#233;, se portant acqu&#233;reur de deux de ses &#339;uvres aupr&#232;s de la galerie romaine Antonacci Lapiccirella. Fort remarqu&#233;es lors de l'&#233;dition 2022 de la TEFAF &#224; Maastricht&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giulio-aristide-sartorio-1860-1932" rel="tag"&gt;Giulio Aristide Sartorio (1860-1932)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/paris-musee-d-orsay-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60-60" rel="tag"&gt;Paris, Mus&#233;e d'Orsay&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;

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<item xml:lang="fr">
		<title>Giulio Aristide Sartorio </title>
		<link>https://www.latribunedelart.com/giulio-aristide-sartorio</link>
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		<dc:date>2006-06-02T13:43:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Pierre Curie</dc:creator>


		<dc:subject>Giulio Aristide Sartorio (1860-1932)</dc:subject>
		<dc:subject>Rome, Chiostro del Bramante</dc:subject>

		<description>&lt;p&gt;Alors qu'&#224; Paris, le Grand Palais nous invite &#224; revoir une certaine modernit&#233; italienne, Rome propose une int&#233;ressante r&#233;trospective de Giulio Aristide Sartorio (1860-1932), un artiste &#224; d&#233;couvrir au Chiostro del Bramante (centre culturel de La Pace).&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/expositions" rel="directory"&gt;Expositions&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/giulio-aristide-sartorio-1860-1932" rel="tag"&gt;Giulio Aristide Sartorio (1860-1932)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/rome-chiostro-del-bramante" rel="tag"&gt;Rome, Chiostro del Bramante&lt;/a&gt;

		</description>



		
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