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	<title>La Tribune de l'Art</title>
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<item xml:lang="fr">
		<title>Trois expositions dans des galeries parisiennes</title>
		<link>https://www.latribunedelart.com/trois-expositions-dans-des-galeries-parisiennes-13138</link>
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		<dc:date>2025-12-01T14:46:03Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>&#201;douard Moyse (1827-1908)</dc:subject>
		<dc:subject>&#201;douard Brandon (1831-1897)</dc:subject>
		<dc:subject>Benjamin Ulmann (1829-1884)</dc:subject>
		<dc:subject>Th&#233;odule Ribot (1803-1860)</dc:subject>
		<dc:subject> Maximilien Luce (1858-1941)</dc:subject>
		<dc:subject> Fran&#231;ois Bouchot (1800-1842)</dc:subject>
		<dc:subject>Fr&#233;d&#233;ric-Auguste Bartholdi (1834-1904)</dc:subject>
		<dc:subject>Eug&#232;ne-Ernest Hillemacher (1818-1887)</dc:subject>
		<dc:subject>Jean-Baptiste Berr&#233; (1777-1839)</dc:subject>

		<description>&lt;p&gt;Si FAB (Fine Arts Biennale), redevenu d&#233;sormais Fine Arts Paris, a avanc&#233; ses dates &#224; septembre, novembre n'en reste pas moins un mois actif pour le march&#233; de l'art &#224; Paris, tant pour les ventes que pour les marchands. C'est ainsi que trois expositions consacr&#233;es au XIXe si&#232;cle, dont deux sont consacr&#233;es &#224; un seul artiste, permettent aux amateurs de satisfaire leur go&#251;t de la collection, ou tout simplement de voir des &#339;uvres souvent in&#233;dites.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/edouard-moyse-1827-1908" rel="tag"&gt;&#201;douard Moyse (1827-1908)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/edouard-brandon-1831-1897" rel="tag"&gt;&#201;douard Brandon (1831-1897)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/benjamin-ulmann-1829-1884" rel="tag"&gt;Benjamin Ulmann (1829-1884)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/theodule-ribot-1803-1860" rel="tag"&gt;Th&#233;odule Ribot (1803-1860)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/maximilien-luce-1858-1941" rel="tag"&gt; Maximilien Luce (1858-1941)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-bouchot-1800-1842" rel="tag"&gt; Fran&#231;ois Bouchot (1800-1842)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/frederic-auguste-bartholdi-1834-1904" rel="tag"&gt;Fr&#233;d&#233;ric-Auguste Bartholdi (1834-1904)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/eugene-ernest-hillemacher-1818-1887" rel="tag"&gt;Eug&#232;ne-Ernest Hillemacher (1818-1887)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jean-baptiste-berre-1777-1839" rel="tag"&gt;Jean-Baptiste Berr&#233; (1777-1839)&lt;/a&gt;

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<item xml:lang="fr">
		<title>Cinq dons des American Friends of the Louvre</title>
		<link>https://www.latribunedelart.com/cinq-dons-des-american-friends-of-the-louvre</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/cinq-dons-des-american-friends-of-the-louvre</guid>
		<dc:date>2021-05-26T20:46:53Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Julie Demarle</dc:creator>


		<dc:subject>Paris, Mus&#233;e du Louvre</dc:subject>
		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Jacques-Auguste Fauginet (1809-1847)</dc:subject>
		<dc:subject>Benjamin West (1738-1820)</dc:subject>
		<dc:subject>James Northcote (1746-1831)</dc:subject>
		<dc:subject> Fran&#231;ois Bouchot (1800-1842)</dc:subject>
		<dc:subject>L. Isabey (?)</dc:subject>
		<dc:subject>Bordeaux, Mus&#233;e des Beaux-Arts</dc:subject>
		<dc:subject>Cambrai, Mus&#233;e</dc:subject>

		<description>&lt;p&gt;Deux dons de la famille Forbes, par l'interm&#233;diaire des American Friends of the Louvre, ont rejoint les collections du mus&#233;e du Louvre o&#249; ils &#233;taient d&#233;pos&#233;s depuis cinq ans. Conform&#233;ment &#224; la l&#233;gislation fiscale am&#233;ricaine, le transfert de leur propri&#233;t&#233;, soumis &#224; ce d&#233;p&#244;t pr&#233;alable, est d&#233;sormais effectif. Croqu&#233; &#224; l'encre noire par Benjamin West&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/paris-musee-du-louvre-34-34-34-34" rel="tag"&gt;Paris, Mus&#233;e du Louvre&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/jacques-auguste-fauginet-1809-1847" rel="tag"&gt;Jacques-Auguste Fauginet (1809-1847)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/benjamin-west-1738-1820" rel="tag"&gt;Benjamin West (1738-1820)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/james-northcote-1746-1831" rel="tag"&gt;James Northcote (1746-1831)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-bouchot-1800-1842" rel="tag"&gt; Fran&#231;ois Bouchot (1800-1842)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/l-isabey" rel="tag"&gt;L. Isabey (?)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/bordeaux-musee-des-beaux-arts" rel="tag"&gt;Bordeaux, Mus&#233;e des Beaux-Arts&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/cambrai-musee" rel="tag"&gt;Cambrai, Mus&#233;e&lt;/a&gt;

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	</item>
<item xml:lang="fr">
		<title>Une exposition sur le th&#233;&#226;tre et la musique &#224; la Nouvelle Ath&#232;nes</title>
		<link>https://www.latribunedelart.com/une-exposition-sur-le-theatre-et-la-musique-a-la-nouvelle-athenes</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/une-exposition-sur-le-theatre-et-la-musique-a-la-nouvelle-athenes</guid>
		<dc:date>2015-02-09T10:51:14Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject> Fran&#231;ois Bouchot (1800-1842)</dc:subject>

		<description>&lt;p&gt;Bien que celle-ci, d'une dur&#233;e un peu courte, se termine jeudi prochain 12 f&#233;vrier, nous souhaitons consacrer un court article &#224; la nouvelle exposition de la La Nouvelle Ath&#232;nes, non seulement parce qu'elle en vaut la peine, mais aussi parce qu'elle d&#233;montre &#224; quel point cette galerie r&#233;cemment ouverte m&#232;ne d&#233;sormais une politique ambitieuse autour du XIXe si&#232;cle fran&#231;ais. Elle multiplie en effet les expositions th&#233;matiques et arrive &#224; surprendre, comme avec cet accrochage (compl&#233;t&#233; par un catalogue qu'on ne trouve cependant que sous forme num&#233;rique) consacr&#233; au th&#233;&#226;tre et &#224; la musique.&lt;/p&gt;

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&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/francois-bouchot-1800-1842" rel="tag"&gt; Fran&#231;ois Bouchot (1800-1842)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>La Bimba dormiente de Carlo Marochetti : un portrait fun&#233;raire</title>
		<link>https://www.latribunedelart.com/la-bimba-dormiente-de-carlo-marochetti-un-portrait-funeraire-3843-3843-3843-3843-3843-3843-3843-3843</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/la-bimba-dormiente-de-carlo-marochetti-un-portrait-funeraire-3843-3843-3843-3843-3843-3843-3843-3843</guid>
		<dc:date>2012-06-26T21:42:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Caroline Hedengren-Dillon</dc:creator>


		<dc:subject>Carlo Marochetti (1805-1867)</dc:subject>
		<dc:subject> Fran&#231;ois Bouchot (1800-1842)</dc:subject>
		<dc:subject>Louis Laurent-Atthalin (1818-1893)</dc:subject>

		<description>&lt;p&gt;La Bimba dormiente ou Bimba addormentata, &#339;uvre de Carlo Marochetti (1805-1867) appartenant aux collections de la Galleria Civica d'Arte Moderna e Contemporanea (GAM) de Turin, constituait jusqu'&#224; pr&#233;sent une &#233;nigme. Acquise en 1902 par le Museo Civico, anc&#234;tre de la GAM, et provenant de Cagliari, Sardaigne, l'&#339;uvre a &#233;t&#233; achet&#233;e &#224; un industriel du nom d'Ercole&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/essais" rel="directory"&gt;Essais&lt;/a&gt;

/ 
&lt;a href="https://www.latribunedelart.com/carlo-marochetti-1805-1867" rel="tag"&gt;Carlo Marochetti (1805-1867)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/francois-bouchot-1800-1842" rel="tag"&gt; Fran&#231;ois Bouchot (1800-1842)&lt;/a&gt;, 
&lt;a href="https://www.latribunedelart.com/louis-laurent-atthalin-1818-1893" rel="tag"&gt;Louis Laurent-Atthalin (1818-1893)&lt;/a&gt;

		</description>



		
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	</item>
<item xml:lang="fr">
		<title>Nouvelles acquisitions du Mus&#233;e d&#233;partemental de l'Oise &#224; Beauvais</title>
		<link>https://www.latribunedelart.com/nouvelles-acquisitions-du-musee-departemental-de-l-oise-a-beauvais-1219</link>
		<guid isPermaLink="true">https://www.latribunedelart.com/nouvelles-acquisitions-du-musee-departemental-de-l-oise-a-beauvais-1219</guid>
		<dc:date>2007-05-25T11:19:00Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Didier Rykner</dc:creator>


		<dc:subject>Acquisitions</dc:subject>
		<dc:subject>Beauvais, Mus&#233;e d&#233;partemental de l'Oise</dc:subject>
		<dc:subject> Fran&#231;ois Bouchot (1800-1842)</dc:subject>
		<dc:subject>Charles Landelle (1821-1908)</dc:subject>
		<dc:subject>L&#233;on Bonnat (1833-1922)</dc:subject>
		<dc:subject>Pierre-Victor Galland (1822-1892)</dc:subject>
		<dc:subject>Benedict Masson (1819-1893)</dc:subject>
		<dc:subject>Hippolyte Lazerges (1817-1887)</dc:subject>

		<description>&lt;p&gt;Certains petits mus&#233;es d&#233;montrent r&#233;guli&#232;rement qu'avec des moyens limit&#233;s il est possible d'enrichir une collection. C'est le cas de celui de Beauvais qui pratique une politique d'acquisition intelligente, comme le prouvent les &#339;uvres suivantes, entr&#233;es en 2006 et au d&#233;but de 2007.&lt;/p&gt;

-
&lt;a href="https://www.latribunedelart.com/breves" rel="directory"&gt;Br&#232;ves&lt;/a&gt;

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&lt;a href="https://www.latribunedelart.com/acquisitions" rel="tag"&gt;Acquisitions&lt;/a&gt;, 
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