{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Two panels by Adriaen Brouwer reunited at the Mauritshuis ","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/two-panels-by-adriaen-brouwer-reunited-at-the-mauritshuis","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/two-panels-by-adriaen-brouwer-reunited-at-the-mauritshuis'\u003ETwo panels by Adriaen Brouwer reunited at the Mauritshuis \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EAdriaen Brouwer remains one of the most colourful figures of 17th-century Flemish painting, famous for the debauchery that led to his premature death : it is probably no coincidence that a range of beers now bears his name, a rare privilege among painters. He specialised in genre scenes, often depicting smokers and drinkers who set a bad example to the brave citizens of the Netherlands\u003C\/p\u003E\u003C\/blockquote\u003E\n"}