{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"Two fine sales at Artcurial in Paris","author_name":"Alexandre Lafore","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/two-fine-sales-at-artcurial-in-paris","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/two-fine-sales-at-artcurial-in-paris'\u003ETwo fine sales at Artcurial in Paris\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EBecause one David and Goliath can hide another, our tour through the rich exhibition organised at Artcurial ahead of next week\u2019s two sales begins with a large (and unpublished) composition by Domenico Fetti. Tuesday will be devoted to the major November Old Masters sale, whose star lot is the “other” David and Goliath, the now-famous rediscovered canvas by Guido Reni, whose result — and, above all, whose future destination — are eagerly awaited. Wednesday will be reserved for the dispersal of the collection of a couple living between Clermont-Ferrand and Gu\u00e9thary, which explains the presence of several works by the Basque painter Ramiro Arrue. One will, however, remember above all this fine version of one of the artist\u2019s favourite subjects\u003C\/p\u003E\u003C\/blockquote\u003E\n"}