{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The sacred made real. Spanish Painting and Sculpture 1600-1700","author_name":"V\u00e9ronique Gerard-Powell","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-sacred-made-real-spanish-painting-and-sculpture-1600-1700","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-sacred-made-real-spanish-painting-and-sculpture-1600-1700'\u003EThe sacred made real. Spanish Painting and Sculpture 1600-1700\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003E\u003Cem\u003EThe sacred made real\u003C\/em\u003E - « le sacr\u00e9 fait r\u00e9alit\u00e9 » - est le fruit de l\u2019enthousiasme et de la t\u00e9nacit\u00e9 de son commissaire, Xavier Bray, conservateur des peintures espagnoles \u00e0 la National Gallery de Londres. Cette exposition, que le grand public a aussit\u00f4t qualifi\u00e9 de  « mystique », peut \u00eatre abord\u00e9e sous plusieurs angles.\u003C\/p\u003E\u003C\/blockquote\u003E\n"}