{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Louvre preempts three tapestries","author_name":"B\u00e9n\u00e9dicte Bonnet Saint-Georges","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-louvre-preempts-three-tapestries","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-louvre-preempts-three-tapestries'\u003EThe Louvre preempts three tapestries\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThere is the charming detail of the squirting water in the centre of the composition : Diana splashes Actaeon to repel him. This reaction is well and truly specified by Ovid. The author of the Metamorphoses tells us that the goddess, surprised by the hunter as she was bathing, blushed to see herself thus exposed without veil to the gaze of a mortal and, finding herself without her bow, threw\u003C\/p\u003E\u003C\/blockquote\u003E\n"}