{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Louvre Colonnade : an enchanted interlude","author_name":"Didier Rykner","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-louvre-colonnade-an-enchanted-interlude","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-louvre-colonnade-an-enchanted-interlude'\u003EThe Louvre Colonnade : an enchanted interlude\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EYou have to see it to believe it. For the first time in at least twenty years, if not more, the Louvre colonnade, that masterpiece of classical architecture attributed to Claude Perrault - but in reality the result of a collaboration between Perrault, Louis Le Vau and no doubt other architects - can be seen free of dross and its moats freed of the Algecos that had been cluttering it up for ages\u003C\/p\u003E\u003C\/blockquote\u003E\n"}