{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Comte d’Artois, prince and patron","author_name":"Didier Rykner","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/the-comte-d-artois-prince-and-patron","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-comte-d-artois-prince-and-patron'\u003EThe Comte d’Artois, prince and patron\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\u003Cp\u003EThe future Charles X makes for a fascinating exhibition subject, sprinkled with a dash of iconoclasm, given the poor historiographical reputation of the last king of France. A visit to the resplendent Ch\u00e2teau de Maisons is therefore justified. There was, a priori, reason to expect a kind of focus exhibition, but the parcours instead surprises by its richness and density, arranged with subtlety by Naori Yamazoe and Alexandre Demaret of the AtoY agency\u003C\/p\u003E\u003C\/blockquote\u003E\n"}