{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - Sommaire du n° de novembre 2012 ","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-de-novembre-2012","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-de-novembre-2012'\u003EThe Burlington Magazine - Sommaire du n° de novembre 2012 \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nLess is Moore \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nAnne Markham Schulz, Matteo Raverti and Jacopino da Tradate \n\u003Cbr class='autobr' \/\u003E\nChristina Neilson, Rediscovered photographs of two terracotta modelli by Verrocchio \n\u003Cbr class='autobr' \/\u003E\nAlison Luchs, Shelley Sturman and Katherine May, A statuette from the workshop of Leonardo da Vinci \n\u003Cbr class='autobr' \/\u003E\nMarjorie Trusted, Two eighteenth-century sculpture acquisitions for the Victoria and Albert Museum, London \n\u003Cbr class='autobr' \/\u003E\nGauvin Alexander Bailey, French Rococo prints and eighteenth-century altarpieces in Buenos Aires (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}