{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - Sommaire du n\u00b0 de f\u00e9vrier 2012 ","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-de-fevrier-2012","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-de-fevrier-2012'\u003EThe Burlington Magazine - Sommaire du n\u00b0 de f\u00e9vrier 2012 \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EArt in Northern Europe \n\u003Cbr class='autobr' \/\u003E\nEditorial \n\u003Cbr class='autobr' \/\u003E\nNicholas Penny, A visit to Rotterdam \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nStephan Kemperdick, From Master Wilhelm to Master Wilhelm: the identity of the Cologne Master of St Veronica \n\u003Cbr class='autobr' \/\u003E\nRudi Ekkart, The Scottish painter Adam de Colone identified as the Dutch painter Adam de Colonia \n\u003Cbr class='autobr' \/\u003E\nPaul Huys Janssen, A pair of paintings by Caesar van Everdingen \n\u003Cbr class='autobr' \/\u003E\nEmilie Gordenker, \u2018Still life of a bouquet in the making\u2019 by Dirck de Bray: a new acquisition at the Mauritshuis, The Hague \n\u003Cbr class='autobr' \/\u003E\nSophie (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}