{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - Sommaire du n° d’ octobre 2012 ","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-octobre-2012","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-octobre-2012'\u003EThe Burlington Magazine - Sommaire du n° d’ octobre 2012 \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nOld versus new in the Berlin museums \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nElizabeth Clegg, War and peace at the Stockholm \u2018Austrian Art Exhibition\u2019 of 1917 \n\u003Cbr class='autobr' \/\u003E\nJohn Rolfe, Harold Gilman\u2019s \u2018Halifax Harbour\u2019 (1918) : a wartime Canadian episode \n\u003Cbr class='autobr' \/\u003E\nAnne Blood, The Russian section of the \u2018Machine-Age Exposition\u2019 (1927) \n\u003Cbr class='autobr' \/\u003E\nFanny Singer, Richard Hamilton\u2019s \u2018Chiara & chair\u2019 \n\u003Cbr class='autobr' \/\u003E\nColin B. Bailey, \u2018In the same order, but . . . stronger than ever\u2019 : the new Barnes Foundation in Philadelphia \n\u003Cbr class='autobr' \/\u003E\nBook Review \n\u003Cbr class='autobr' \/\u003E\nDavid (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}