{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - Sommaire du n° d’ao\u00fbt 2013","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-aout-2013","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-aout-2013'\u003EThe Burlington Magazine - Sommaire du n° d’ao\u00fbt 2013\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nStrawberry Hill forever \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nAlberto Maria Sartore, Perugino\u2019s contract for the Collegio del Cambio frescos \n\u003Cbr class='autobr' \/\u003E\nGiacomo Berra, Cardinal Federico Borromeo and the choice of painters to fresco the Collegio Borromeo at Pavia \n\u003Cbr class='autobr' \/\u003E\nGiovan Battista Fidanza, A rediscovered altarpiece by Pietro da Cortona and insights into the collaboration between the master and his pupils \n\u003Cbr class='autobr' \/\u003E\nGiorgia Mancini, History of a fake : \u2018The Virgin and Child with an angel\u2019 after Francesco Francia in the (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}