{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - Sommaire du n° d’ ao\u00fbt 2012 ","author_name":"La Tribune de l’Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-aout-2012","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-sommaire-du-no-d-aout-2012'\u003EThe Burlington Magazine - Sommaire du n° d’ ao\u00fbt 2012 \u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EEditorial \n\u003Cbr class='autobr' \/\u003E\nThe London scene \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nMark Evans, Nicola Costras, Rachel Turnbull et Lara Wilson, The triptych of the Apocalypse by Master Bertram \n\u003Cbr class='autobr' \/\u003E\nRoberto Santamaria, The provenance of Antonello da Messina\u2019s \u2018Portrait of a man in a red cap\u2019 in the National Gallery \n\u003Cbr class='autobr' \/\u003E\nElizabeth Goldring, A portrait of Sir Philip Sidney by Veronese at Leicester House, London \n\u003Cbr class='autobr' \/\u003E\nJohn Christian, Burne-Jones\u2019s \u2018Tristram and Iseult\u2019 rediscovered \n\u003Cbr class='autobr' \/\u003E\nNancy H. Yeide, The spirit of France : the 1940\u201346 exhibition (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}