{"version":"1.0","type":"rich","provider_name":"La Tribune de l’Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n°1480 vol CLXVIII - July 2026","author_name":"La Tribune de l’Art","width":"1600","height":"900","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1480-vol-clxviii-july-2026","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1480-vol-clxviii-july-2026'\u003EThe Burlington Magazine - n°1480 vol CLXVIII - July 2026\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ENorthern European art \n\u003Cbr class='autobr' \/\u003E\n Editorial \n\u003Cbr class='autobr' \/\u003E\nThe Grand Palais \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nPeter Schade, Jan van Eyck\u2019s frames \n\u003Cbr class='autobr' \/\u003E\nBart Fransen,Sjors Nab, The early history of the Granada triptych by Dieric Bouts \n\u003Cbr class='autobr' \/\u003E\nMatthew Payne, Evidence for the life and work of Meynnart Wewyck \n\u003Cbr class='autobr' \/\u003E\nFanny Ag\u00e1rdi,Zs\u00f3fia Vargyas,Miriam Sz\u0151cs, Two sculptures by Giusto Le Court in Budapest : provenance and conservation \n\u003Cbr class='autobr' \/\u003E\nSven van Dorst, The reunion of a donor and his icon \n\u003Cbr class='autobr' \/\u003E\nAdam Sammut, Painting a prince of Tunis : Rubens\u2019s \u2018Mulay Ahmad\u2019 (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}