{"version":"1.0","type":"rich","provider_name":"La Tribune de l&#8217;Art","provider_url":"https:\/\/www.latribunedelart.com","title":"The Burlington Magazine - n&#176;1460 vol CLXVI - November 2024","author_name":"La Tribune de l&#8217;Art","width":"800","height":"600","url":"https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1469-vol-clxvi-november-2024","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/www.latribunedelart.com\/the-burlington-magazine-no1469-vol-clxvi-november-2024'\u003EThe Burlington Magazine - n&#176;1460 vol CLXVI - November 2024\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003ESculpture \n\u003Cbr class='autobr' \/\u003E\n Editorial \n\u003Cbr class='autobr' \/\u003E\nThe life cycle of art history \n\u003Cbr class='autobr' \/\u003E\nArticles \n\u003Cbr class='autobr' \/\u003E\nMaichol Clemente, \u2018Une pi\u00e8ce fort singuli\u00e8re\u2019&nbsp;: the rediscovery of Gian Lorenzo Bernini\u2019s \u2018Andromeda and the sea monster\u2019   Paula Nuttall, Michelangelo\u2019s Bruges Madonna&nbsp;: its patron, material and meaning \n\u003Cbr class='autobr' \/\u003E\nMarco Scansani, Fragments of a Ferrarese sketch by Donatello \n\u003Cbr class='autobr' \/\u003E\nAmy Lim, The foundation of the Society of Female Artists \n\u003Cbr class='autobr' \/\u003E\nSharon Hecker, Collecting modern Italian sculpture in Britain&nbsp;: Charles Meek and Medardo Rosso&nbsp;(\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}